This attunement is a dragon transmission that attunes you to the dragon energy you need to be connected to at this time. You can choose the dragon energy you wish to work with, or you can leave it open to see which dragon energy wishes to work with you. Often the dragons themselves have been training you for a long time, without you knowing it, until it is time.
There are specific energies connected to the elemental realms, but also dragons of crystalline consciousness. Dragons are the creative energy of the planet but also part of your own consciousness. When dragons start appearing in your meditations or in your visions, your own dragon consciousness, that part of you that creates new worlds, is waking up.
Each dragon energy, whether elemental or crystalline, takes time to emerge. They do not come into your consciousness until you have developed along certain lines and can hold their energy in your auric field. When you are ready to wield dragon energy, they awaken. They are an extension of your energy, but able to work in the outer world, bringing change to what needs changing. When they first appear, it can seem that they are separate to you, but they are part of you, the part that can work within the Dragon dimensions of the earth.
The dragon dimensions are highly creative realms, full of potential, and the dragon energies you hold can be sent into these dimensions. This is how you work within them. Without having your own dragon body you could not access these realms. This is what makes working with the dragons so exciting. It takes time to develop your dragon body, just as it takes time to learn any new skill. Working with dragons means you are affecting the outer world, therefore you must master self-trust and also the ability to say ‘Not my will, but yours’. This is your Higher Will, not your personality will, in action.
Because your dragon-self works within the dragon dimension it knows what it needs to do, so your task is to hold that energy and allow it to do its work. You become both the holder and the watcher.
The dragon attunements allow you to awaken dragon energies within your field and they will train you to work with them. The dragon energies of crystalline frequencies are the easiest to work with, initially. So if you are drawn to crystals, you can learn to work with their creative energy consciousness too.
Working with the bigger dragon energies of nature takes time, and skill. You have to be able to maintain the dragon energy in your auric field and to hold it steady. But again the attunements are channelled by the dragons so that you receive the energies you need to awaken your own dragon consciousness in the best way possible and for your purpose on earth. For people who work with nature, these dragon energies are hugely valuable because they teach you about the cycles of nature and how you can work within their greater cycles of growth to affect change in human consciousness, especially around nature.
To receive an attunement to a dragon energy, you can choose to work with the crystalline dragons, or the dragons of nature. You can also allow the dragons to choose you. Which dragon energy are you ready to work with?
If you want to work with a specific dragon just let me know. Send me a photo so I can connect with you. You don’t have to be attuned to the Gaia Method Earthways to receive this attunement.
Dragon Attunement.
Choose which dragon you want to deepen your relationship with, or that you wish to awaken.
£35.00
Crystalline Dragon Attunement.
Receive an attunement to the creative dragon energy of the crystalline world that wishes to work with you. Or one that you feel a certain afinity to.
Or allow it to choose you.
This is a beautiful attunement to receive.
This was an unexpected activation in the grounds of Winchester cathedral. We had been doing so much here over the past year and thought we were done, but no, turns out we weren’t.
We had gone to Kneaded, as usual, and decided to potter for a bit in the Cathedral Grounds. We were not feeling pulled to do anything in particular – until – just as we began to walk towards the Cathedral on the path from the Square, I saw a beam of solar light come in. I saw another one, a blue, like a column that needed to be anchored further along and then the pink column on the other side of the green. We were being instructed to create a triangle between the three. A portal energy.
From the solar/yellow pillar we walked a yellow line to the next blue pillar. From there, we walked a blue line to the pink column, and then returned to the yellow one, creating a pink line. The portal was now made up of three frequencies. Looking at the photo above, I see that the portal is over the cross-roads of the paths. That must mean something.
Once the triangle was complete, we were instructed to stand in the centre of it, which is where the paths cross. A large white feather appeared in the triangle, nearly filling the shape. The triangle was now three-dimensional, like a low pyramid. (We had created a pyramid energy recently in Avebury too).
In the same space as the white feather, a white column descended and a white flame ignited where it stood, in the centre of the pyramid, held by the three-fold energies of the pink, blue and gold/yellow pillars. Each of these energies work on different levels, but exist in the same space.
I reached up and brought down another energy. To my surprise it was a ladder! Like Jacob’s Ladder. It was about moving up levels, like an initiatic portal. An Ascension energy. In doing this, we had opened a channel of energy which anyone can access. Standing in the centre of this triangle, for anyone visiting Winchester, will move your frequency into ascension levels.
The space within the pyramid was now filled with a huge harp, whose sound frequencies were connected to the cathedral itself. It was connected to the sounds of nature; Elemental sounds. We were then shown a clear wine bottle. Both of us saw that. We realised, after a while, that it was one of the essences we had made and we needed to bring that here. Which would have to be on another day. We were told to bring a libation to this point. It was the White Dragon of Burley essence we had made in the New Forest.
As we didn’t have that essence with us we had to come back the following week.
Back in the grounds, with the essence, and holding the energy of the previous working, we continued. A Hathor energy came in. Chris was aware of a spiral energy, like a gold vortex. I poured some of the Burly Essence on the ground at the centre of the triangle/pyramid and we were then instructed to go into the Cathedral. The triangle needed to be connected to a point within it.
At the back of the Cathedral, where the Triple flame is anchored, we connected the white flame of the triangle/pyramid along with the white column, the white feather and the White Dragon. This acted as a balance between both points. When Nadia and I did the yellow column-anchoring on the south side of the cathedral, we were creating a balance between the masculine energies and the feminine. Now, with this white portal, the balance was creating a triad of energies between the DF (Divine Feminine) and DM (Divine Masculine) the Light of Ascension, the upper spiritual levels. Anybody who goes and stands in this pyramid and asks for the energies they need will be given exactly that.
October 2024April 2025Where the Water Rises.
We were told to go to the crypt next and call the serpent energies. The crypt holds the water energies, symbolised by the blue serpent. Here, the Hathor energies came in. Back in October 24, during a visit by Malia (who went through a week of initiations) we had also stood in the crypt. On that visit, the crypt was filled with the energy of a large blue female serpent who filled the space. She came right up to us and planted a mass of tiny serpents in our Centres (behind the navel). This was my first up-close experience of the blue serpent in this way; she usually lives in the water layer below the cathedral and I only ever see in her in the well in the crypt. It had been raining all year and the water table was high, so I Imagine this is why she had come.
I have been holding the baby serpents in my belly for months, knowing they would be used at some point, but not knowing when. Some of Malia’s ended up at the White Spring in Glastonbury. Shortly after this there was a big storm and we wondered if that is why this serpent mother had appeared when she did, so huge and powerful. Now, back in the crypt, some of these baby serpents were going back in. We have had little rain since winter, (this work was carried out after two months of little rain) so I imagine this is why they were going back. But not all of them, only two or three. The rest remain with me, held in my body as energy of a particular frequency. The serpent babies were both blue and green, water and vegetation. Returning the balance.
I then became aware of the pond at St Cross and it was saying to me about the balance of water and growing things. The green Dragon – that is the Cathedral – made its presence felt too. The green dragon is the energy of all living green things and because it resides, energetically within the cathedral, it changes the frequency of the stone building to make it resonate with nature’s energy. There is crystal in the stone of the cathedral, and crystal holds the memory of creation, along with the forces which originally formed the stone, so it is important that the building itself is in resonance with nature so that what is outside is also inside. Often, in buildings which do not resonate, there is a distinct difference in the feeling of being inside a building and being outside. The building materials cut off the connection to nature. It has something to do with the effect on the earth’s magnetic field. Human habitation sites become more magnetic over time, weirdly.
When I was doing archaeological field surveys we used a magnetometer. Before doing the survey we had to calibrate the instrument with the earth’s magnetic field. Then, with that as its baseline, any underground pits, buildings, ditches etc would show up as different to the magnetic field. Fired brick was often more magnetic due to iron inclusions in the fabric of the pot. Since knowing that, it explained why coming back into an urban area after being in nature for a while was so disorienting. When working with the natural forces, we are aligned to the earth’s magnetic field. But urban areas are not. Working with the green dragons seems to change that, naturalising the building materials, but so far I have only seen that happen with natural stone.
The things we don’t realise…
I have added an image from Google Earth to show you where the sites are, should you want to visit. Looking at the sites from an aerial perspective shows an alignment between the activated sites (if you ignore the green dragon icon which takes in the whole cathedral). On either end of that alignment there is a tree. Make of that what you will.
The bluebells are out and it was time to join the hordes of people going to see them in Micheldever woods. (Outside Winchester). Although, we weren’t going just to see the bluebells. We were going to visit the Banjo enclosure we had only recently discovered. Well, we did not discover it. It was discovered during an archaeological survey of the woods, but we only learned of it recently.
To get to that Banjo enclosure you have to go through the big one that is protected and as soon as we reached it, we were impulsed to go to the entrance of the banjo, down its ‘avenue’, to the energy point. All Banjos we have worked with have this point, either at the centre of the opening to the avenue or just below.
Ditch of the Banjo.Bluebell DitchAvenue of Banjo
The point at the end of this avenue connects up to the Magenta layer. This is the Ruby, in the crystalline layer of the planet, and Love pours down into this point, and then into the Banjo which holds the rose energy of Feminine Love. Standing here, an image of the banjo came into my mind in its entirety, but I was shown that it was a key. The entire Banjo is a key in the landscape, opening up to another level. For this Banjo it opens up to the Ruby layer of Gaia’s emotional body, her love for humanity.
Each Banjo enclosure, or landscape key, opens to another dimension. And I don’t think that it is only these enclosures that are landscape keys, because I remember walking the mizmaze on St. Catherine’s Hill many years ago, and as I did the energy of the hill opened up. I had been ‘instructed’ to walk the maze and it was only as I came to the end of the walk, that I understood it was a key to the energy of the site. We have been working with that hill ever since.
So here we were with another key and this time we were making an essence of that energy. The ‘key’ created a reciprocal flow of energy. It opens to the other dimension but also allows the flow from that dimension into the Banjo and hence into the landscape. The banjo then acts as a womb, just like many hill-forts, holding energies. The essence of the Key also opens the user to being able to open other closed sites so they can then function as they were designed to. It puts the user in resonance, and the energy body then is the key too. So it works on multiple levels.
When I first began to work with Banjo Enclosures, Coldridge Banjo Enclosure was my key-opener. I was doing an archaeological survey of the Banjo and of the Roman villa site nearby (you’ll often find them close to each other) Once I had worked with that sacred site/settlement, I was able to work with all of them. Chris saw this key as a gold key, which indicated the frequency of gold. He also saw this key as a sound frequency, a note, which I was shown as a piano keyboard. Multiple sounds. The notes were also colours. Each ‘key’ on the piano corresponding to a colour.
For this Banjo, it was the Ruby Red. But also gold. Which are the two frequencies we have been seeing a lot lately! But there was also a blue energy present.
We left his point then and proceeded to the other Banjo. Every time we visit one of these places, we open to their energy more, and learn more each time. As we walked the trackway that cuts through the banjo I looked to my left and saw two tall trees within it. I immediately saw it was a gateway. But we were on the wrong side of it. We walked around to the other side of the trees. I was aware that as we walked we were walking from a small sphere of activity to a much larger one as though we were going to be expanding in some way. Moving into another reality. Moving out of the fish bowl, but we needed to pause before going through the gateway, taking a breather, so that when we stepped through we stepped through with awareness, with intention.
This is often how moving through an energetic gateway works. Often the gateway is formed of two trees. But not always. Once we become aware of them, and it only happens in the moment, we walk between them. We paused, then moved forward with intention. There is a sense of importance in that pause, that moment of knowing that when we walk through the energetic gateway, our vibration will be different and we will have initiated new events.
Chris felt that we would be expanding into Europe, into a bigger sphere of work, and travel. We have already done work in France, the U.S. and in Spain, and in Iceland, but this expansion was more than that. As if we would be working bigger, with more energy. There was also the sense of less, clearing everything unnecessary, honing things down. On the other side of the gateway, there was the impression of a castle, a place we would visit. It looked like the remains of one of its corner turrets. We would be going back into time. There was a crusader element to this, and a King Richard energy.
Stepping through we had to stop as we had moved through and into the bigger bubble. Yet, there was still a time of unsurety before we found our way to the right road. It might take us time, but we would find our way in this new terrain. A whole new path. It felt medieval to Chris.
Once back ‘on track’ we headed towards the smaller, more obscure Banjo enclosure further down the trackway (the track cuts right through it). From a distance, we were aware of two beings waiting for us. To my mind’s eye, they looked like an old bearded man, and a younger teenage girl but dressed in clothes like people in Lord of the Rings. We often see them like this. It’s how the unconscious mind clothes them, so that we recognise their origin.
Looking back along the TrackInside the Banjo.Unfurling Fern
As we approached, they were giving us the impression of a letter, a communication. This letter was something we needed to take to someone else, or someplace else. France/Spain came in. The Bronze age settlements there. Getting to the site the energy filled us, like an umbilical connection, drawing us deeper into its sphere of energy. This was like the site’s influence but it was contained. As you walk through the outer membrane, and into the sphere, you resonate with the site’s energy and can access the knowledge there. This was a new experience. Maybe because it was a small Banjo enclosure.
We stepped into the trees to the left which felt Elven and beautiful, as though we had stepped into a fairy realm. The energy of this Banjo was the same as the one in Itchen woods. But it was only when we were in the trees that it felt so fairy-ish. Now it was time to communicate with the two spirit people who had drawn us there. The man instructed me to open the essence we had made in the avenue of the big banjo and when I did he dipped a letter into it. A written letter. This was to infuse the letter, which was sealed, with the energy keys of the big Banjo. It reminded me of people in the past infusing their letter with perfume to remind the recipient of the writer’s essence. When we, or anyone else who uses the essence, visits another site the energies there will recognise it.
There is some kind of communication then between both sites. It felt like Carnac, in France. Some correspondence between the two places. Next, the young girl placed some Herkimer diamonds in the bottle. These Herkimer diamonds were filled with her light, her soft supportive, gentle energy, so that we move into these ancient spaces with a gentleness and respect for both the site, and the beings who inhabit them. The Man then gave us his staff, so that we go with his authority. We are working on behalf of these ancestral people so we go with his energy. The staff is also used to open energy and to send pulses out into the landscape. It will ensure that our work is accepted in these foreign places. It gives us access to these places. Like envoys.
Then, the man showed us our transport. Ponies with side packs for travelling. But it was telling us to take what we need, to be prepared for a long journey. We will need the transport to be able to visit many places. He then gave us a very big smoky quartz crystal point to take and he put it in the side pack of one horse. In another pack, on a second horse, he placed a gold disc. A CD with information on it. One of us will carry the crystal energy and one will carry the information. A road-trip, he called it.
Chris then noticed that the Banjo was bordered by a few oak trees, (which became important a few weeks later). We were then drawn to a tree in the centre of the clearing and we had to activate it by walking around it once anti-clockwise and then standing with our backs to it and activating the Heartwood symbol. We’ve been using this symbol a lot! We received a wonderful infusion of love, appreciation and gratitude; the tree acknowledging our connection to it and gifting us with lovely heart-felt energies.
I have been visiting Winchester Cathedral for over thirty years but only now has this tree made itself known to us. Chris and I were walking through the Cathedral grounds, having done some flame work in the Cathedral, when we decided to walk straight up the tree-covered walk instead of going into the centre of town, through what was once the original market street. As we came to the halfway mark along this stone-paved walkway, we noticed an old and very large beech tree, with gorgeous roots, growing near the railings that separated the grounds from the street outside it. The Cathedral grounds is a grassy area where people sit and chat but it was once the graveyard of the Cathedral, evidenced by the remaining gravestones.
It was the roots we noticed more than anything because they were so beautiful. spreading out around the bottom of the tree (as they do), but looking like cooled molten lava. An artist sat by the path, sketching the tree, so we tried not to get in his way. Immediately, I became aware of a large golden chalice within the trunk and I was told that this tree holds the energy of the Cathedral. It holds the history, like a memory tree. ‘I have seen a thousand bishops come and go.’ I heard her say.
When I was in my father’s house, the previous week, my guides mentioned a memory tree, but as usual, I had no idea what they were talking about. This then was the memory tree. I was aware of it knowing the entire history of the place because its roots went deep into the soil, probably fed by the many bodies buried there over the years.
She did not give any further information on that visit, but we had made the connection.
The following week, Chris and I felt called to her again, and this time we were told to bring a bottle of water to make an essence. As usual, we went to Kneaded cafe for breakfast but felt the tree pulling in my heart centre. This feels like a magnetic pull which also has an emotional feel to it. Once I feel that, it is like being in a pleasant tractor-beam that pulls me towards that which wants to make the connection. This is often how we can find sites that call to us. We are pulled by it, initially in consciousness, but then through the magnetic pull. Sometimes the magnetic pull is felt and I have to open my mind to see where the pull is coming from. I feel the pull and then travel along the line of that pull to see where its origin is. This more often happens when I am close to the place. It doesn’t happen if I am miles away. In that situation, my guides will tell me, or they will tell whoever I am going with. We each pick up the information is slightly different ways.
So, back to the tree. Once we had finished breakfast, we left the cafe and walked over to the cathedral grounds via the tree-lined flagstone path. It had been raining a lot so we had to pick our way carefully across the muddy ground. Arriving at the tree, we saw that it was full of life. Chris saw a beautiful silver-haired, large-eyed, elvish woman wearing a pink, floaty, dress, standing at the base of the tree. I was aware of many elvish beings, scampering among the branches. It was like something from LOTR. This energy of Lord of the Rings was how our consciousness’ were showing us symbolic information.
The Elvish woman began to communicate with Chris and she mentioned The Silmarillion, but it had something to do with crystals. Silmarils, as it turns out, are three crystals made from the essence of two trees in Valinor. The light of the heart of those two trees were inside the crystals. This is all Tolkien stuff but she was telling us of the connection between trees and crystals through book The Silmarillion, which I read when I was a teenager but remember absolutely nothing about. Chris has never read it.
She was using the book Tolkien wrote to help us understand some of what this tree-crystal connection meant. I know it all sounds like fantasy, but our Souls/guides use symbols that we understand to help explain the nature of things, using stories as symbols and metaphors. It is how our inner consciousness relays information to the personality-mind. So many books are written by our higher guidance without many realising their origin. (The three crystals, as a matter of interest, were cast into three places: One ended up in the sky, the Star of Earendil, another went into the ocean, and the last one went into a chasm in the earth).
The elvish woman then went on to show Chris a crystal layout with specific crystals, which I recorded. There was a connection to an ancient shield and something about stone circles. But it was not clear.
Next she spoke about Brittany and the sea people. She spoke of the coast people of France, Brittany and sea energy, pointing out the connection to the Beings of the sea. (Like the Silmarils, one went to the sea). Chris was reminded of St. Brendan travelling in a coracle, which was the energy we worked with in Ireland when we travelled by sea and went to Iceland; and the work we did in the Aran Islands with the old saints and the Sea Beings. We were being reminded of the energies of each of the places we worked with and how each place added to our understanding.
Then it was time to make the essence. But it felt like Chris had to make it. He held it in his hands and a blue and green plied energy spiraled into the bottle. He was getting something about a tree in the sky and was feeling the energy of a small child laying at the base of the tree. I saw this elvish lady place a pearl and a Herkimer diamond in the bottle of water, followed by a sapphire, a ruby and an emerald (which turned out to be the three main energy points in the main aisle of the cathedral. They are also layers of the crystalline energy field of the planet. Each energy point in the cathedral connects to one of those layers of the earth’s field).
Once the essence was made, we had to turn our backs to the tree and Chris was attuned to the heartwood symbol, which was yellow, and which connects him to the heart of all trees. An energetic gold chain also went into the essence. We turned to face the tree again and the lady appeared and gave us both a Christmas present. Mine was a cube, like a box, and Chris’s was a sphere, wrapped in paper with a bow. The cube felt earthy and masculine, and his was spherical and feminine. There is something about the Heartwood symbol that represents the gifts from the trees, like Christmas presents hanging from a Christmas tree.
The following week, I met my friend Nadia, another Gaia Method healer. We have been friends with since 2001 (actually most of my friends are those I met back in the Speaking Tree days 2000-2001). We have a past life history (as I do with Nef (short for Nepthys) and Chris). We meet up every few weeks to have breakfast in Kneaded and then go for a walk, doing energywork when called to do so. This time, I felt called to the tree, so we ambled over to the cathedral grounds. The heart-pull was so strong and it became stronger the closer we got there, nearly taking my breath away. The Elven lady of the tree, the Dryad, instructed me to anchor our hearts to the heartwood of the tree, so we followed what she told us to do.
She instructed us both to consciously make that connection by extending a line from our hearts to the heart of the tree. Once that heart-to-heart connection was made, I sent a line of light towards the sun via the crown centre from the heart connection. Then a line was extended down through the base chakra and deep into the core of the earth, again from the heart These were both separate lines, but connected through the heart. The earth line connected to an obsidian dragon, a deep black crystalline energy. This was a strong connection and needed to be strong. It felt like the necessary grounding for the times to come, when huge changes would need us to remain calm and to understand the purpose of the changes.
Once this connection was solidified, I became aware of the water layer that the lines also travel through, the one closest to our surface level of earth. Next, I was aware of the lava layer. In that order, core, water, fire. While connected to these energies, I had to make the essence. I had already placed it on the roots before we started. (Crows are acting as messengers for this tree work. Keep an eye, and ear, open for them to guide you).
The pink lady placed the light of Venus, as starlight, into the water, then a spring-green beech leaf, gold coins, a red rose, and a black obsidian energy. Then I saw a squirrel (spirit) placing hazelnuts in the bottle and lastly the pink lady placed her pink energy there too, but the most important part was the starlight which shone out of the water like a sun.
So the essence contains all the energies needed to connect to both sun, tree and black dragon.
Now, our connection with her was finished, for that day. I will see when she calls to us next.
Here is the meditation. This will be the first phase of the energetic connection you will make to the trees.
Further to the four gifts of the Tuatha de Danann, there are three musical instruments. The Harp, the Pipe and the Drum. Later, once you become experienced working in the Sidhe sphere, you will be given a calling horn. The horn is a decorated cow’s horn that calls the Sidhe to you. This is only given after you have worked with the three musical instruments for some time and have enough experience working with the Sidhe and their sacred spaces.
The three gifts are associated with the three worlds, or levels of creations. The pipe relates to air (as noted by a gifted GME healer), and the sky. It is aligned to the mental body of the collective unconscious and how it relates to nature. The harp relates to the middle world of plants and vegetation, the world we live on and which we experience physically and emotionally; the drum relates to the earth beneath our feet, and which resounds deeply to the rhythms of the centre of the planet, and ourselves.
You can receive these gifts at any point, sometimes all together, and sometimes as a single instrument. Each instrument has its own energetic function, some more obvious than others. I will start with the one that had the biggest impact, for me, in terms of how it is used. This is the Flute/Pipe. I first received this gift at Wistman’s Wood, in Cornwall, and this is the communication I received while sitting on a moss-covered rock in the woods on the 23rd September 2005.
“We welcome you to our realm. We are the Faery host collectively known as the ‘Shining Ones’. We have brought you here today to partake of our energies and knowledge. The trees you sit beneath are our kin and they share their existence with you. Humanity does not acknowledge the gifts which the trees bring to your world. We offer you a potion, made of wild red berries and white, dipped in honey and made into a magical drink. Henceforth you will be known to us by the name of Deirdre, for you carry the knowledge of the wildwoods and the Faery places.
Bring only those who are attuned to our energies, as many do not understand our work, seeing us as merely a race of mythical beings. However, we do exist and it is through us that your world has continued to live, even though your people work against us. Bring back the awareness of this symbiotic relationship and do your best to accommodate our teachings and practices. This is achievable and workable. We leave you now to continue your heartfelt journey. Drink the potion and endeavour to live a good life, in harmony with nature.
Farewell sister. We have a gift for you to take to humanity, the gift of the silver flute. You will know how and when to use it.
The Pipe is used to create to places of sanctuary, and nature and shortly after, I learned what it was for. I went to New York. My guides had told me to go and that I had work to do at the World Trade Centre site. This work turned out not to be what I expected. While I sat in the little church across from the site, I tuned in and immediately saw a geodesic dome form around the entire site. I saw the pipe and the symbols of musical notes floating towards it and as each note hit one of the polygonal facets it lit up and changed colour. Soon there was a pattern of coloured facets and I saw the inside of the dome becoming like a garden of Eden, filled with greenery; a healing place. At the time, I thought, ‘Well, that’s never going to happen’, because I thought they would simply rebuild over the site.
I forgot all about it. A few years later, my friend Cheryl told me, without realising, that they had created a memorial garden there. I could not believe it. It reminded me of the potency and power of these wonderful energies and what can be achieved when we carry these energies and allow them to work through us, doing what is needed. It also taught me that my mind does not always know and that sometimes miracles do happen.
The Harp is the one I use the most. Not out of conscious choice, but from the elemental needs of the moment. I have written about some of the uses of this instrument on another page so will cover its earthwork uses here. When there is a particular need for the frequencies of the harp, you will be asked to choose which coloured string you want to work with. The string will indicate the energies you are going to anchor in the landscape. Again, it is your higher consciousness that chooses because we, as personalities, have no clue what any of it means, half the time.
For the first four years of my time back in the UK, from 2020 to 2024, I have been working with the red string. This involved laying a line of red light, which looked like a red ribbon, along the South coast from Worthing to Bournemouth. Chris and I did this in increments, anchoring the first part of the line/cord in Worthing by attaching it to twin Hathor pillars and then on subsequent visits, anchoring another part, along the next part of the coast and on until we reached Bournemouth, which I did with my daughter Hana. Often the red strings/ribbons were anchored around a pillar, so that it looked like a barber’s pole. This symbolises healing. The surgeons of medieval England, in their tents beside a battlefield, wrapped a bloodied rag around a white pole as a sign to others that ‘in this tent there is a surgeon’. They were known as Barber-surgeons because they fulfilled both roles.
So on that stretch of the south coast there is an energetic signal that declares to a world in pain that healing is available here. Hathor is the Goddess of Love and her priestesses used sound as a way to connect to the Divine, so this makes sense when a string from the harp is used to heal others.
The pillars and poles along the coast were of varying height and width, each composed of a different energetic function. We don’t always know why we are doing what we are doing, but we trust the process, knowing that someone does.
We anchored four poles in Worthing, each one of a different energy.
In laying these lines we are creating healing sanctuaries along the coast, a place of safety for others. I did the same by the Red Sea from Makadi Bay to El Gouna. With what is happening now in the Middle East, this makes sense, providing protection and healing for the energy lines we anchored through Egypt and providing a barrier to those energies.
The harp also sends lines of light/sound through the lines of force which make up the spider energies, healing that which has been charged and released.
The drum has not shown up so often but when it does it is interesting. A Sidhe Being shows up with this and shows us how to beat the drum and how many times. It is energetic, but we see it happening. The resonance goes into the earth, deep into the layers of geological time, into caverns and caves. Back into a time when other evolutionary people lived. The sound travels into the past, to when grains of sand were once mighty mountains. Where memories of those ancient times can be retrieved for the benefit of us here – now. It reminds me of the LOTR and ‘drums in the deep’.
The drum helps us to communicate with the ancient past and the beings who lived in it. The earth has things to teach us about how those ancient people lived and how they stabilised their world after upheavals and earthquakes. Those memories remain in the earth, and can be shaken out by this instrument. Knowledge we can use in our present time is available when we know how to use the drum. In using it, we are utilising vibrational information, just as our human ancestors used drums to send messages and to tell stories.
In working with the drum, you are also working with the chakra points those ancient people once worked with, and which now lie buried deep in the earth. Sometimes, you can access these chakra points, or vortices, in caves or caverns and you will feel it as you pass through. But, often these vortices are deep in the rock and are inaccessible, but with the drum they become accessible. The drum allows to connect with the deep earth vortices and to work with them on that level. The instrument acts as a guide to those places so it is not something you are even conscious of. It simply happens.
The last gift is one that is given when you are ready to work with the Sidhe – at that level – and you will not know you are ready until they tell you. The reason for that is because the horn is the instrument that calls them, that gathers them together and which calls others to receive the attunements when they are ready to receive them.
Once you have received this gift, it is your consciousness that calls to them. It also shows the secretive Sidhe that you are one of them, and they will work closely with you, when you vist one of their places. They will know you have passed the tests they set for you, and that you are capable of working with them on behalf of both their consciousness, and that of the planet’s. They see into your heart, seeing your intention, and they gift their instruments when they see you are ready for them and that you have the necessary sense of service and trust to use them wisely.
Sometimes these gifts are given singly in an attunement, and at other times, they are all given together, especially if you are at a faery site. But when you have them all in your auric field, they work as and when they need to. You are the witness to it all and yet you have to be physically present for the gifts to be worked. They are in your field, and your Higher Self, (your faery self), will activate them when they are needed.
While I was living in Luxor, Egypt, I received this channelling on the Dragon Children. I had never heard of dragon children and I was reticent to put it into the public domain. I had known about the indigo children, and the Violet children, and the crystal children for some time, early on in my development and had accepted it then- I was a violet/indigo myself. But later, when I had discarded all my New Agey beliefs, after my coming down to earth in the early 2000’s, the concept of children on different rays had been put on the back burner. After that time, I wanted proof of everything and I did not have any proof of these children, until one of my daughters became pregnant, and I tuned into the soul of the baby. She told me she was a crystal child. I was taken by surprise, as it challenged my beliefs. But seeing her grow up, I see that crystal aspect easily. The proof is in the pudding, as they say.
In October 2016, I was once again challenged by the concept of the Dragon children, but it was a step too far. No-one’s going to believe that, I thought, thinking everyone thought as I did! However, the following channelling came about after I had energetically planted dragon eggs in the homes of some of Omar’s recently married sisters and cousins. At first, I did not understand why I was planting etheric dragon eggs in their homes – until the babies were born. Each one of the children born with these energies was a girl, and each one had a character that even their twin brothers did not have. Each one was born ‘awake’ on some level and were bright little sparks. Then, my guides gave me the following to explain just what I had been doing and why:
This life you live, this narrative you write, is about to change, for the better. No more will the forces of creation be held in the hands of the few. Now it is time for the Dragons of old to awaken, and to play their part in the awakening of mankind. This time has been awaited.
The attributes of the dragon are thus: kindness, consideration, the ability to think within the group mind and to effect the Whole. They learn fast, think on their feet, and have a great sense of the injustice around them. They are strong, resilient, and have a deep and abiding desire to change their environment for the better.
These children are born knowing the mountains they must climb, and so they are born strong, unlike other children around them who may be more acquiescent. The Dragon children are the creators of new modes of thinking, and being, in the world. They play a very positive role, assisting their less capable brothers and sisters to manage the challenges of change, which they themselves are helping to instigate.
As a dragon child, you fulfilled this role, protecting the weak and vulnerable, even when your own trauma meant that your Self-caring was damaged. This is often the way for the Dragon children.Here on the African Continent, an influx of such children is needed as change comes, on a global scale, and all are offered assistance.
As a teenager, you witnessed what could happen when dysfunctional adults stalled the growth of the Dragons, through their own fear of change. And so you will see it again, all around you. But do not interfere, just add your ‘adult’ dragon energy to theirs and their own ‘scales’ will then protect them. They will know intuitively that you are kin, even though they do not understand it intellectually. But that is of no matter, it is the inner light which needs to grow as they make their own way in this world.
I put this away, for years, until my own fears were set aside. Even though I recognised the dragon children in Egypt and understood their purpose, I did not want to add yet another type of ‘child’ to the spiritual mix. But, maybe the information is needed, so here we are.
Recently, I found this card in my local shop. I bought it because it was a particularly nice dragon card and I was surprised to see it in the village shop. Only later, I realised how it represented my father and me. I am a red dragon, and always challenged him. Sitting and talking with him for the past two years, I have come to recognise that he too was a red, but had developed a stronger affiliation with the gold dragon energies of money. He rebelled against his own family, just as I rebelled against him. But we were both born dragons. Even though he would NEVER see himself in that light.
The card in the shop showed us head to head, in an eternal battle, but yet we were only fighting our own dragon reflection. Two dragons in the same space will do that. Yet, I recognise his battle and how much he fought for other people, mostly outside his family, but his own dragon nature had been squashed too much. Breaking out of 1940’s Catholoc Ireland when Ireland was breaking away from centuries of oppression, left its mark. But – he had me! Even though the mirror-reflection of rebellion was not something he liked, at all.
But, maybe some of the dragon children are born to older dragons, or have the assistance of one. If you have a dragon child, allowing her to be herself is vital. You will know you have a dragon child because they often seem like minature adults, and forget that they are children. (they may be boys or girls).They may hate being children and want to grow up yesterday! They may also be very wise and worth listening to – a lesson my father is only just learning. I heard him telling his priest friend in Ireland that ‘he was learning from me now what he refused to learn when I was younger’. That was interesting as it was absolutely true. In my years doing Rebirthing (a breathwork healing), that was one of the things my Soul told me. That I had been born to my father to be a reflection for him, to help him heal what I mirrored to him. But, he had chosen not to learn, and instead hated the reflection I provided.
Now, it would seem, he is learning something. I wondered if he would, in this second opportunity before he dies. I knew I was playing this role again, so I am glad he recognises it – even if he is not telling me directly. And perhaps, he had to be older to listen to my strange beliefs, and equally, I had to have the wisdom of patience to know that he can only change so much. But any change is a good thing.
This is part two of the Summer Solstice activations on Old Winchester Hill. Just as I was finishing writing this, I heard their words come in and wrote them down. This is the first time these energies have communicated in this way but they are eager for us to reconnect with them. Their message is at the bottom of the post.
Once we were finished doing the merkaba work and creating the essences, we walked along the bank and ditch towards the way out and I thought we were pretty much finished, until I stopped to take some photos of the beautiful valley and felt that familiar sensation of energy in my lower Tan Tien. At the bottom of the valley, on the north side, there were pockets of woodland. They looked strangely unreal. I thought maybe it was because I was looking down at the trees from a height, except that the rest of the landscape looked normal. Maybe it was my eyes, I thought, trying to focus. And then I no longer felt like myself. Now I felt like a woman from the hillfort, and in the woodland, a green dragon energy lay curled up asleep in the trees.
The reason why the Green Dragon had come into the conversation earlier now made sense. It was also interesting that Chris did the work inside the boundaries of the Hillfort, but the woman who worked as a priestess – she may not have been called that at the time but it was her role- worked with the dragon energy outside the hillfort, on the slopes.
The green dragon is the creative energy of the trees, of vegetation and often connected to natural springs. It represents abundant growth. It was clear that in the past the hillfort was cleared to be lived on, but other areas outside needed to be maintained, for agriculture, etc. The north side of the valley is steep so crops were grown on the more easily worked south slopes.
I was aware that the woman’s energy was as guardian of the Dragon areas. It was her job to maintain them, just as the female leaders of the Neolithic maintained the sacred springs. Trees were necessary for their survival, so they needed to be taken care of. The trees down the slope from the Hillfort appeared to be growing on the Green Dragon’s back. The area might have been more heavily wooded in the past, but now only pockets remain, and yet this dragon under the trees was asleep.
As I stood looking down the slope from the ramparts, I felt that this dragon priestess would have regularly held some kind of energetic ritual. She would feel into the land and know when an area needed something more. She was very much in tune with the green creative forces of the earth and it was her job to maintain their energetic nature, keeping the areas abundant. These areas too were semi-wild, in our terms re-wilded, except that they were never un-wilded. They were carefully maintained to provide natural foraging possibilities.
“Sorry. But that’s all there is!”
In the past too, when there would have been more trees than there are now, these dragon places provided security. They would have acted as a buffer against outside forces but also added to the resources of the tribes inhabiting the fort. Working with the green dragons was seen as a female role, because women were connected to the Mother. They embodied her. They were the Mothers. The male role seemed to involve working with the energies inside the hillfort, but it was a woman’s role to tend to the green dragon energy, and their creative output. In this hillfort, anyway.
These sleeping dragons need to be awoken, and worked with, by those people who carry Green dragon energy. There is a resonance, between the green dragon in parts of the landscape ,and that part of a person that is ‘green dragon’. Green dragon people grow things. They love trees, and all growing things. They create havens of natural growth, arks and gardens of Eden,
When it is time for the landscape to awaken, they will be called, and they will bring the green dragons to wakefulness again. They may carry the green dragon from one place to another, places where the green dragons once reigned. Places which were once green and fertile but which now are built on and nature shut out. Our awareness of the necessity for the green dragon energy needs to be increased. We cannot exist without nature. And it is the people who work in the green places, who tend the trees, etc, who will awaken the dragons so they can be anchored again. Places that are now in ruins, which were once used as centres of human power, are being reclaimed by the green dragons.
Sources of water often lie beneath these places: springs and wells. The green dragon protects these sources, so they continue to flow, allowing both their physical properties and energetic flow to continue nourishing them. I have found green dragon energy trapped in small lakes which were once connected to the flowing waters of a nearby river. Now they are used by people to fish but there is no flow. The dragon energy can be trapped in the deep layers beneath the water and needs a person who holds the green dragon energy to release them from their prison so they can continue to flow with the river.
As I was writing this, the Green Dragon consciousness came in with information about itself:
We exist on the astral layer and are guardians of land and sea. We exist within the layers of light and dark, following the streams of energy created by nature in her toil. We work in close communion with the elemental energies, those beings who maintain the growth of plants, the sunlight that touches their leaves and the water that flows from root to branch to leaf. We work in concert too with the air, and with the rain, and with the wind that shakes the pollen from the trees, and plants, allowing it to fertilise the land.
In our time, we were masters of all, but now we have diminished in power and exist only in myth. We are powerful still but not so visible, because you have lost the ability to see and feel us. But this is changing. We are growing in stature and soon we will reign, as once we did on these shores, and man will know our true power once more.
For those of you who work with our magic, we say this: we welcome your endeavours to reach us, and are glad that you open your hearts and minds to our existence. We hope that many more will open their eyes to us and learn to work with us, in partnership, as they did in times past. We welcome all attempts to connect with us and so we leave you with this wish: that when you are out and about and something sparks an awareness of us, stop, and listen and open your inner eyes. See and feel what is right before you. If you suspect we may be present, send a beam of green light from your heart to ours, and watch as we rise to greet you, mighty and powerful and awake, ready to join in partnership and to take up our ancient role as guardians of land and sea.
Once you have connected to us, we will acknowledge you and count you as dragon-kin. For in joining with us, you become us, for as long as you wish to be connected. Together we can do magic and recreate a world of abundance and joy. This world is here to be shared and we happily share it with you, as our guests.
Remember to open your eyes, and connect, and we will gladly serve you, as you serve nature, for we are All One and together we can change the world.
Farewell … until we meet.
I leave you with their words, for who knows them better than they.
Free Postage and Packing within the UK. Prices for other countries email me, and I can send you a request for payment from Paypal. OR, use the donations box on the side bar if you are on a PC or at the bottom of the page on your mobile. Just add the postage to the price of the bottles, and email me your snail mail address and which bottles you want. You can find the prices for postage beneath the essences on this page.
Ascension from the Ground Up.
Made on the Summer Solstice at Old Winchester Hill, a Bronze Age Hillfort in Hampshire. Contains the energies of Ruby and Sapphire, the love and thoughts of Mother Earth. It builds your merkaba lightbody and allows you to manifest from your Soul. Manifestation happens fast at this level so use it wisely.
You can read more about this essence on the blog post about Old Winchester HIll.
£11.99
Elixir of the Goddess
I created this one in a Bullaun stone by St. Fiachra’s Well in southern Ireland. A bullaun stone is a very large granite boulder with hollowed out depressions on its surface. The stones are associated with early Celtic Christian Churches. When I tuned into the stones, I saw bread dough being made with water from the spring. This dough, when baked, would be the sacred bread, the communion of the mass ceremony held in the church. The bread was created with both the feminine energy of wheat and the masculine energy of the water.
The essence was created with water from the Bullaun stone and then anchored in a Hawthorn tree that grew beside the sacred spring. The Triple Flames of the Divine Feminine: Gold, Magenta and Blue poured into the bottle.
The flames are frequencies/rays of healing which are anchored at sacred sites and in rivers, lakes and seas to bring healing, and to add their frequency to the atmosphere around where they are placed.
The frequencies of these flames work on the Merkaba level of your energy-field.
On another level, the water from the spring of St. Fiachra also protected those people who carried it, from drowning. So if you’re thinking of travelling by boat anywhere…
£11.99
Celestial Creation
Made at the waterfall called Mahon Falls, in Southern Ireland, it was as though the energies of the Universe were tumbling down through the water to earth, bringing creations of a higher nature to the physical world.
This essence connects you to the power and creativity of the Universe and allows you to channel higher forms of creativity, making them manifest in the world of physicality, bringing inspiration and light to those in need.
£11.99
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Recently, I was watching a Youtube video about Vikings with my father and the video spoke about Saxon burhs. A burh was a fortified town created by Alfred the Great to protect people against Viking raids in the late 800’s. What struck me immediately was the name: Burh (Alfred’s wife’s name was Osburh. It made me wonder…). Many of these fortified villages were built on existing Iron Age Hillforts, or towns. Both of those things reminded me of Burley Hill, in the New Forest, where we had first encountered the protective aspect of the white dragon.
“The site is within the parish of Burley, whose name may be derived from the Anglo-Saxon bury which means a ‘fortified place” (from Wikipedia). There is also a story: Another folklore legend of Burley is that Burley Beacon, just outside the village which is the supposed location of a dragon’s lair. Several versions of the tale can be told locally about how the dragon’s corpse turned into the hill in Lyndhurst, known as Bolton’s Bench. According to legend, Castle Hill apparently was once the home to a dragon, duly slain by a knight from the nearby village.”
Well, that adds to the information we had previously received. But it made me think about the white dragon energy we had encountered there, and its protective function. If the hillfort had served as a sanctuary, which is what a Burh was, providing sanctuary from viking attack, then the white dragon represents that protective energy.
It was very clear that Burley was a sanctuary, but it felt like that sense of safety went back further than Saxon times. I imagine too that the white dragon, in it’s protective role here in this hillfort, is here because it was originally a sacred site. It played an important role in the area, and the original guardians of the Iron Age hillfort were people of a spiritual nature. Perhaps spiritual warriors.
In recent readings, I have found that protective energy appear too. This aspect of the white dragon acts as protector of the creative white dragon energies. These creative white dragons are often connected to the sea, which represents the human emotional body and the womb of creation. But they also come in from a living person’s higher auric bodies to inspire with energetic creations. These creations are usually ideas and inspiration which benefit humanity. So, it would appear that these white protector dragons are both energetic, and within people. Dragons are not seperate from you, but form very much a part of a creative force within you, which, if you hold that energy, works through you.
There are different levels to these white dragons and how they work through people. Some people can be working through that energy without realising it. But their higher spiritual nature is very much aware. Working conciously with them, the more spiritually developed you are, as a channel for energies, the more the dragon seems to work through you. They ease you into the process, watching to see how you will use the energies they inspire you with. Like every energy, they start small, building your dragon body, which is really the ability to hold that energy in your auric field, and the thoughtforms that accompany them.
Being able to control your own energy means you can eventually hold that energy responsibly. When you are at a point of readiness, to develop whatever dragon energy you are supposed to develop, your dragon mentor/teacher will appear, either energetically or physically. White Dragon masters are masters of their craft. At a certain stage too, you can become a dragon-protector. This means you become a mentor or protector of younger dragon energies and/or dragon sites. It means that your place/home can become a place of sanctuary, and healing, and that your energetic skills can be used to help others to grow.
Guides or mentors can also appear to the inner eye, in meditation or healing, as white dragons carrying a certain crystalline frequency. This is indicated by a crystal at their third eye, which is the colour of the energy they come through with. They inspire you with their teaching or guidance. The colour of the crystal tells you what their work is. For instance, a rose quartz in the dragons’s third eye indicates an emotional healer, a person who helps heal the emotions and the heart. Their appearance, as a dragon, gives you the information as a symbolic energy of the person who holds those qualities. But, equally, as a spiritual guide, they also show you the way towards healing, encouraging and supporting your journey towards wholeness.
In China, there have always been dragon masters, people who have the ability to control the dragon forces and chi (energy) in their bodies. In Daoism, dragons are deified forces of nature. In our work that is also what they are, but we embody those abilities to work with them. The dragon masters work with the energies of nature and the elements, and as you too develop, you develop the ability to work with the elements through your auric field.
The white dragon protectors have learned to use their energy, and their ability to channel these energies, for the good of all. They are servers and able to move the energy within their auric field, and in the world of energy around them. Their inner self knows how to use movement and intent to create change. The protective dragon might only have an idea he is a white dragon protector, unless he has specifically chosen that role, but he wields protective energy nonetheless.
This is the path of the white dragon. To serve and protect … in a real sense.
(So far, I have found the protective aspect to be masculine. I know that sounds stereotypical, but that appears to be the way. That’s not to say it has to be male, the masculine energy can be held by men or women).
For this year’s Summer Solstice, we were ‘told’ to go to Old Winchester Hill. This is an Iron Age Hillfort with a Neolithic past (4000 bc to just before the Roman settlement of Britain). Although it has a Neolithic history, it was not settled until the Bronze Age – which is when the Mother was venerated along with the sun as Father. We have not worked with this site for over fifteen years but we were told to go and ‘ramp it up’. I received impression that there was a merkaba above the site but when we got there we discovered there was not one, but two, side by side. Somebody has been busy over the years.
Walking along the path to the hillfort,at a certain point, we became aware of the energetic forcefield. The margins of the site’s energy. I saw it as a white circle around the site and Chris saw it as a dome. The dome is a protective energy placed above the site to contain energy. In this case the dome was just under a kilometer in diameter. In southern England, where the land is chalk, ramparts and rings would have been gleaming white. The ‘ring’ around a site denoted its protective and sacred energy and would have been visible for miles. Especially when these places were built on prominent postitions.
Approaching the Hillfort from the path, I kept hearing that our personal vibration was still not high enough to match the frequency of the merkaba at the top. So we placed our intention to match the frequency, not realising that actually what they meant, was we were not high enough in the landscape yet. It was only when we were in the hillfort, and walking towards the top, that we were told we were reaching the right vibration. So it was our physical position on the site that matched us with the merkaba. When we got to the two round barrows at the highest point of the hillfort, where the trig point was located, we were told we were now high enough.
It was when we got to the first barrow that we realised there was a merkaba over each one. I’ve never seen that before. The merkabas were both in and above the barrows and there was a doorway we had to enter first. Thedoorway was in the side of the merkaba. This was a first. Before going into the first one, we had to attune to the merkaba energy and then enter the energetic doorway. Sometimes, although we have been doing this work for over thirty years, things can still surprise us.
We stood on the centre of the barrow/Merkaba and Chris saw the guardian of the site dressed in a white robe and carrying a staff. He spoke of stars, and constellations. The barrow felt like a boat, much like the energy at the end of the Dorset cursus, so I imagine these were built by the same people for the same purpose.
This turned out to be a masculine work for this site so Chris did most of it, until the end, when I did my part. Some sites are definitely masculine and others feminine, which we only find out once we get there. Other sites are dual so we both work them.
In the centre of the barrow, the top pyramid of the merkaba was open to higher dimensions. I call it angelic, because they are of a higher vibrational light and I have no other name for them. There was also a faery-like elemental energy too, and a green dragon. This elemental energy was female and she appeared as a faery that grants wishes. She had a wand, like in the fairy-tales, with a glowing star on the tip. I knew before coming that we had to make an essence, and she told me now to place the open bottle on the ground. She tapped the bottle three times and each time starry sparkles from her wand went into the water. I was aware of a protective white dragon, like at Burlington but it was just ‘around’.
Chris saw rainbow light going into the bottle, each colour coming from a point on the merkaba, as though the merkaba/ascension energy was being activated. So, the essence was an activator of ascension, building the merkaba frequencies around the physical body, thereby making Soul-manifesting quicker. Pretty good, so far, I thought.
Chris then had to speed the merkaba up so he added the solar light he has been carrying since a trip to France years ago, filling the merkaba. Solar light is a masculine energy and its inclusion in the merkaba ”ramped it up’, as we were told to do. Next we went into the second barrow, which again had a doorway. It was as though both merkabas were joined energetically and we had to leave one merkaba through a doorway on the opposite side to the one we had entered. The second merkaba also had a door through which we entered. This barrow/merkaba felt more feminine. Possibly the person who was primarily buried here in the past was a woman.
This wabarrow was interesting because it contained very different energies. Chris often sees a gold lattice-work column when he does energywork and this time he was seeing the same thing, but this one had a red crystal sphere on the top, like a transmitter. It reminded him of the Eiffel tower, a structure I have seen in recent crystal readings. This Eiffel tower suggests an energy structure that has its feet securely on the ground while the energy is drawn up to another level. Well grounded, bottom up Ascension, as opposed to top down.
Once again, we had to activate the essence, and this time Chris placed energetic rubies in the water, followed by Sapphires energy which I put in. Rubies are feminine, and yet it was Chris’s task to place them in the bottle. Sapphires are a masculine energy, and I had to place them there. It was as if his feminine side, and my masculine side, were energising the essence with our polar opposite. Rubies are the crystal Love of the Mother, from the Ruby layer of the crystalline planet. Sapphires and Rubies are both from the same family: corundum. The only difference between them is the colour. Ruby is the heart and Sapphire the mind. The balance of masculine/feminine is now anchored in the essence. But it is the balance of the Great Mother’s emotional body, and her mental body that is contained there.
The energy of this Merkaba was very much about raising consciousness to a higher level while still having feet firmly on the ground. Considering how much energy had just been anchored in the essence it was no surprise that this was necessary.
We felt our work was complete in this barrow and knew we had to go back the way we came. So we exited through the energetic doorway and re-entered the first barrow/merkaba. But when we were there, we found there was nothing more to do. We sat on the ground and the Guardian appeared again. He told Chris to: ‘Learn the ways of the Dragon. You have to know where the dragons are in the landscape and when you find them you have to wake them up.’ The guardian then went on to tell him about a Green Dragon and a story that existed about him. This was a welsh story with a Merlin vibe. Chris was given a name which turned out to be a place in Wales associated with a holy well and a dragon. The Merlin vibe gave us a time frame of post-Roman. Something we will have to investigate later, I’m guessing. This Green Dragon mention was also signifant later.
In the next post, I will explain more about the Green dragon energy and function, and the information we received about the dragon women who worked with them, and who are calling them awake again.
For an overview of the Hillfort, check out Ben’s video in the comments below. This is especially great because we are no longer able to see the hillfort from this perspective. Thanks Ben.
I’ve had a few disturbed nights lately, disturbed because my guides whom I call Upstairs, have been coming in while I slept to give me information. When this happens, I know, that if I do not write it down it will disappear. So, the act of taking my phone and writing a note wakes me up good and proper. Thankfully, the information is never boring. And this particular information was particularly interesting. It was about the red dragons, those people who are born with dragon energy, or at least the seed of red dragon energy, designed to be awoken at some later point in their lives.
This is what I heard:
“Red Dragons are like punks – but punks with a purpose”.
I was a teenager in the seventies, but never a punk. It was too aggressive for me. I preferred the hippy movement, all love and peace, probably because I didn’t have much of either of those two things. But I had friends who were punks. Rebel girls, anti-establishment girls, who wanted to be free to be themselves. They did what all punks did, they pierced their bodies, did their hair in wild mohawk hairstyles, wore black, ripped clothing held together by safety pins, and dog collar chokers around their necks. They were breaking away from the stereotype of what it meant to be female in Seventies’ Ireland.
It was a highly creative time, a breaking out and bursting forth of powerful energy, of new musical styles and new ways of thinking. The punks were expressing their anger, breaking the ties that bound them to old ways of doing things, old rules that no longer made any sense. They were chaos fighting the ‘natural order’.
The Red Dragons are the punks of old, but their breaking down of old ideas, and old ways of doing things, has a higher purpose, a Soul Purpose.
In 2016, whilst still living in Luxor, I received some channelling which was a complete surprise to me, and I will admit, set up some resistance in me. It was about the Dragon Children. There were so many books about the crystal children, the indigos, etc., that I really didn’t want to add to the mix ( a constant resistance on my part!). I had also gone from believing in these ‘new children’, to not believing in them, until one of my granddaughters was born and I was told she was a crystal child. I groaned because I really didn’t want to believe it! Upstairs knew I didn’t believe it and now I was being presented with the proof. I’m sure they thought it was very funny. I didn’t!
So when I received the information about the Dragon children, I groaned even louder and put the writing away until I could see how it worked out for myself. Here is what they said:
21 October 2016. Dragon Children.
This life you live, this narrative you write, is about to change for the better. No more will the forces of creation be held in the hands of the few. Now it is time for the Dragons of old to awaken, and to play their part in the awakening of mankind. This time has been awaitedfor many years.
The attributes of the dragon are thus: kindness, consideration, the ability to think within the group mind and to effect the Whole. They learn fast, think on their feet and have a great sense of the injustice around them. They are strong, resilient, and have a deep and abiding desire to change their environment for the better.
These children are born knowing the mountains they must climb, and so are born strong, unlike other children around them who may be more acquiescent. The Dragon children are the creators of new modes of thinking and being in the world. They play a very positive role in assisting their less capable brothers and sisters to manage the challenges of change which they are helping to instigate.
As a Dragon child, you fulfilled this role, protecting the weak and the vulnerable, even when your own traumas meant that your sense of self-care was damaged. This is often the way for the Dragon children.
Here in Africa, an influx of such children is necessary as change comes on a global scale, and all are offered assistance.
As a teenager, you witnessed what could happen when dysfunctional adults stalled the growth of the Dragons, through their own fear of change. And so you will see it again, all around you. But do not interfere, just add your ‘adult’ Dragon energy to theirs and their own ‘scales’ will then protect them. They will know intuitively that you are kin, even though they do not understand it intellectually. But that is of no matter, it is the inner light which needs to grow as they make their own way in this world.
I find some of this very interesting (It did take a while!).
Because dragon energy is creation-energy the more dragons there are in the world the more change can happen. I imagine each dragon has his/her own gifts of change to bring to the world, but I find it interesting that they are also therefore in a position to help the people affected by the changes. But are they doing this energetically, like I did, by anchoring layers of energy to affected places? These energies create change but also protect those living around them.
The part about Africa made sense too, even though, if you tell an Egyptian they live in Africa, they will deny it vehemently. Yet, Egypt is on the African Continent, not including the part that is in Sinai. When I lived in Egypt, I often found myself planting etheric dragon eggs in family member’s homes. The first time it happened, I was in my sister-in-law’s house. She had only been married a couple of weeks, but I anchored a dragon egg there. I did not choose to do this, it just happened when I was there and I went along with it, observing ti, not knowing what the purpose of outcome would be.
I knew the dragon egg was going to be a child, but what I found interesting was that each time I anchored one of these eggs, the child was a girl. A girl who was bright, lively and awake. Even if she was twin to a brother, and there were a few of those, the girl was always different. You could see it in her eyes. The twin brother was like an asleep child, totally different, and I knew it was because the girl was a dragon-egg child, because I had anchored the egg there on a previous visit, before she was conceived. This happened a number of times, so eventually I knew what would happen each time one was anchored.
But punks, and with a purpose? The Red Dragon is a physical creator, a breaker of rules. They have to be free to find their direction in life, to follow their purpose. They will go unrecognised in their family, and may often be considered the black sheep – which is ironic, when you think about it. They learn the hard way and often are the victims of abuse in their early years or will have experienced another trauma, perhaps the loss of a parent or sibling. Part of the Red Dragon’s learning in this life is to experience difficulty and then heal from that experience. This learning becomes their gift of healing to the world.
They are born into places going through changes, or they may spend parts of their lives in places in need of change. Because they are connected to the healing of the collective unconscious they are often in situations where their own healing helps the healing of those around them. They flow with the currents of that society and as they heal their own matching wounds, they heal the wounds of all. It is not an easy path, but the Red Dragons are born with that purpose.
If this sounds like you then you know why you are the way you are. Dragon people will have had an interest/fascination with dragons since they were young. Myself? Anne McCaffrey and her Dragons of Pern were an early love, and I spent many hours drawing the covers of her books, mainly in history class while doing my A-Levels (In Ireland known as the Leaving cert). They were more real to me than Henry VIII, and I really wanted to live on Pern. Little did I know those books were awakening my own dragon nature, the part of me that had chosen to come into this life with a dragon purpose, even if I did not recognise that at the time. The books acted as ‘soul-reminders’ reminding me of who I was, on some deep, level, and why I was here. It also gave me the strength to continue.
Dragons are perceived as dangerous, maurauding, eaters of humans. And they are, symbolically, because they bring change that most do not want, but which is supremely necessary.
The Red Dragons are like cosmic cleaners, sweeping away the dust of the past on the layer of the earth’s energy field in which they are most effective. Their role is to cleanse, to heal, to refresh. Yet try to imagine it from a simpler perspective. You are in someone else’s house and are tasked with cleaning it. In the process of cleaning, you expose the dust under the carpets, the skeletons in the closet, and the children in the attic. You bring them to the attention of the owners, thinking you are doing a great job, but they are enraged. They did not hire you to show them all their faults, to show them their failures, to hold up a mirror to their bad behaviour! They employed you to clean the surfaces, to make it all look clean and presentable for others to see. But, being a Red dragon, you cannot ignore it. If it is there, and hidden, you need to expose it and clean it away. You feel how wrong it is.
Your angry employer dismisses you. You are showing them too much and are blamed for creating the mess. As a young dragon, you might have believed them, and carried that blame for a long time, right into adulthood. But eventually, you learn that it is not your mess and through intense healing, you release it – albeit slowly – if you are given the opportunity.
It can be a heavy burden to carry and many Red Dragons may experience abusive relationships, getting clear on the dynamics of abuse, so that they too can be released and cleared. But the clearing means experiencing. You are learning all the time, learning how it works and how to let it go, cleaning the psychic debris in the ‘collective’ house, leaving the astral level clearer of damaging beliefs and emotional patterns and healing family patterns in the process.
Red Dragons are born every few centuries. Humans leave a lot of psychic debris and it all needs clearing periodically, and while we are clearing that we are clearing our own. It introduces new thinking into existing cultures and smashes through crystallised ways of being; seeding new ones for the benefit of future generations A Red Dragon’s life is is rarely easy, but when it reaches a certain point, it knows who it is and then will begin to clear the layers with conscious intention, and with dedication – no matter how painful. Not many will recognise their sacrifice to humanity and may label them as dysfucntional, co-dependedent, etc. But they have a plan, and a purpose, and that is all that matters.
When your Red Dragon Self wants you to wake up to it, it will make itself known to you. It will appear during meditations, or during attunements, or through healing received from others. It might show up in myriad ways, but it will show up.
When it does, listen to what it has to say, or watch what is shows you. It is telling you it is time.
For a few years now, I have been asking my guides what the snow dragon represents. She has been making an appearance, in my inner vision, creating energetic ice sheets and snowy mantles on sacred sites. She came in, initially, with Beings of ice; giant, elemental energies from countries with colder climates, such as Iceland, Norway, etc. Recently, I did an attunement with one of my daughters and she was given information about the creative energies held in snow and ice.
Snow and ice are solidified Light that can be thousands of years old. Each particle in a snowflake contains a universe of information and treasure, holding creative energy which can be accessed. We already know that physical information can be trapped by the ice and snow in the Arctic, helping us to learn about the past. Snow also holds Light information which can also be accessed, energetically.
Last year, at St. Catherine’s Hill in Winchester, I anchored a layer of snow over the top of the hill. Months earlier, driving my father home from Southampton, I saw an image of an elegant, elemental woman dressed in white standing on top of the hill. Snow covered the top and as I continued on my way, I became aware of the energy lines, that still exist, running through the Iron Age Hill-fort, and which would have been beneath the ground before the motorway was built. Now, they can be driven through. These lines are usually blue (water lines), but today they were white, as if they were frozen. Then I had an image that suggested they were a white dragon/Serpent body connecting a group of widely spaced hill-forts. The body of this long white dragon undulated through the landscape and where its body emerged from the ground, a hilltop lay. But the hilltops were covered in a mantle of white snow. I remember seeing this before, flying over the Pyrenees on my way to Egypt. The entire mountain range was a huge white dragon.
To understand the creative energies of the white dragon, we need to go to the Diamond body of Gaia’s energy field. This field is her higher mind, containing pure thoughtforms. It lies above the Ruby/Magenta layer which itself lies above the earth’s Emerald surface, the energy of all growing things. The white dragon is connected to Gaia’s mind and therefore where the white dragon is, there too is the Mother. Her thoughts, and what she desires to create, are borne on the wings of the White dragon and anchored in our realm with the help of us in our physical form. This includes the thoughtforms of weather and what humanity needs for its future survival and ability to thrive. Even if that is years into the future
Snow flakes are the crystallised creations of Gaia’s mind. These creations are ‘held’ in this form until such a time as they can be accessed for the benefit of the whole. Time holds these creations, this knowledge, until the time comes for them to be released.
Just as in the physical earth, the knowledge of past civilisations is in the sediments of rock, sand, mud and fossils, laid down over millions of years of earth’s development. But in those layers lies the memory of times past, in energetic layers which can also be accessed. About seventeen years ago, I visited a sandpit beside the River Barrow in Graiguenamanagh (my hometown), in Co. Kilkenny). I had been coming to this sandpit since I was a child because we had to walk through it to reach the ruins of Ryan’s castle, beside which we used to swim.
As an adult, with a love of geology, I found the visible layers where the sand had been bulldozed for selling, fascinating. I found chunks of fossil coral and was able to date the deposition of sand to millions of years ago when this part of Ireland was a warm tropical sea.
Fossils and Fossil coral from Clohastia, on the River Barrow, Co. Kilkenny.
But what was more interesting about this place was the energy. Because it had been dug out as a sand pit, the layers went down for meters into Earth’s geological history and the ancient people who lived on Earth at that time. Because of this energetic history, I was able to connect to that memory and bring it back into the present. I imagine ice and snow act in much the same way. At least, that is what my teachers in the world of spirit are suggesting.
Ryan’s castle which once guarded a ford.River BarrowEel WeirClohastia SandpitSandpit
If creative energy, through light, is held in the snow crystals, then that would explain the white dragon presence. But maybe we need to go further down the rabbit hole and see what some scientists, the nonconformist ones at least, have to say about water and memory.
Jacques Benveniste and Luc Montagnier worked on the discovery that water held memory. Dr. Masaro Emoto went a step further and claimed that emotions, as well as environmental factors, created specific shapes in snow crystals while they were forming.
The experiments of Masaru Emoto with emotional imprinting of water:
Masaru Emoto has carried out very interesting experiments with water at critical point for freezing. He claims that words expressing emotions have an effect on the crystals formed in the process. Emoto reports that words with positive emotional contents produce beautiful crystals and those with negative emotional content generate ugly ones. Also music and even pictures are reported to have similar effect.
Crystals with emotions projected towards the water.
White dragons are the spiritually creative energies that bring in inspiration from higher planes of existence. If water holds memory, and I know from my own work that it does, then frozen water also holds memory. Working with the dragons, perhaps we both pick up energy from ice and snow which has lain for hundreds/thousands of years AND anchor new energy in layers for future generations to pick up. Working with ancient layers may involve clearing up the negative layers which exert an influence on modern-day experiences, although I think they have to be ‘dug up’ before the energies are accessed if they are beneath the ground. I imagine that memory and light trapped in layers of snow and ice need to be accessed that way too. But as I’ve never had that experience, I don’t know.
I have anchored fire energy in Iceland, in the waters near a beautifully frozen waterfall. I knew, when I was putting it there, energetically, that it was for the future, but did not know at that time about memory and light in the ice. I am planning to return, at some point, so I will see what happens then.And of course there are trips to Norway planned, so lots of opportunities to explore the creations of the snow dragons.
An email popped into my inbox which I was so happy to receive (something I cannot say about some of them!). It was from LiDAR, the digital terrain mapping people. Not only was it exciting to have something that we have long known confirmed, but it also gave us additional information about why certain energies were placed where they were.
Many years ago, in 2006, Chris and I spent time exploring Salisbury Plain, doing energy-work with the barrows (burial Mounds), and the Cursus. During this exploration, I was given a glimpse of the Bronze Age people who served the temple, and the Mother Goddess. (It would be useful to read this for context).
At the time we received the information, which came in the form of inner-vision and telepathic understanding, I had no way of verifying the existence of the spring we had seen on the previous occasion, or why the Initiatic gateway was along the cursus and not in the circle of Stones (Stonehenge). But, having received the email from LiDAR, I was excited to see that my intuitive vision was correct, at least as far as the Spring is concerned.
This is how the LiDAR people put it (and rather beautifully, I thought):
“The LiDAR image unfurls a captivating tapestry, revealing the profound significance of Stonehenge’s position. No longer a mere coincidence, its placement appears divinely orchestrated, guided by an ancient wisdom that intertwined the monument with the very essence of the land. Observe the enigmatic “avenue,” a mysterious earthwork extending from the henge itself. It stretches forward, seemingly guided by an otherworldly force, tracing an invisible path toward the fateful convergence of these long-lost waterways. What hidden meaning lies within this alignment? What cosmic forces were at play when this extraordinary design was conceived?
“The Stonehenge, the cursus, and the ancient river channels intertwine in a symphony of celestial geometry and earthly harmony. The landscape becomes a living tapestry, where the past whispers its secrets, waiting to be deciphered by those who dare to seek the truth.
“What does this profound relationship signify? Could it be a celestial map etched upon the Earth’s canvas, guiding ancient minds to comprehend the mysteries of the cosmos? Or does it hold the key to forgotten rituals and sacred ceremonies, enacted by our ancestors in harmony with the celestial and terrestrial realms?
“The LiDAR images, combined with historical mapping, grant us an extraordinary glimpse into the past, igniting our curiosity and fueling our imagination. It invites us to explore the profound interplay between humanity and the landscape, where Stonehenge emerges as a portal to a realm of ancient knowledge and cosmic connection.
“So, let us embark on a journey of discovery, armed with the LiDAR’s revelations and the courage to unravel the enigmatic relationship between Stonehenge, the coursing rivers of old, and the mystical cursus. With each step, we inch closer to unearthing the profound truths that lie dormant within these sacred grounds.
“The mysteries await your arrival, dear seeker of knowledge. Unlock the secrets of Stonehenge and immerse yourself in the mesmerizing dance between monument, landscape, and the enigmatic forces that shaped our ancient past.”
I mean, could they have put it any better?
According to what I saw in that ‘memory’, the rivers were no longer there. On the surface, at least. But the bournes (or springs) still rose, giving them water; but perhaps only at certain times of the year when the, now, underground channels filled up after a long rainy season. (These rivers were obviously much wider than the river Avon, where Durrington Walls was built close to).
By the time Stonehenge was built, there may have been only winter rivers, but this would still have been seen as a gift of fertility from the Mother to humankind.
Many years ago, when I worked in post-excavation in Winchester, before the new council chairman got rid of the Winchester Archaeology team, a skull and longbones of a Neolithic woman came in to be cleaned up. Her bones had lain in a long barrow, near Barton Stacey, and rescued before the barrow had been completely ploughed out. I was given permission to explore them, so, using psychometry I tuned into the skull of this ancient woman.
From the images that came into my head, I gathered that she was the head priestess of a group of people who lived there six thousand years ago, and part of her role was to care for the spring close to their settlement. She placed flowers there, at particular times of the year, and made sure it was clear, clean and energetically active. She had a daughter, which her own mother, the girl’s grandmother, took care of. The woman herself had responsibility for the welfare, both spiritual and physical, of the tribal unit and was too busy to teach her daughter. Instead, the role fell to her mother who trained the child in all the ways of the priestess so she could take her mother’s role when the time came for her to do so. This seemed to be the way they did things. Grandmother taught the granddaughter, freeing up the mother.
Barton Stacey Bourne.
This was fascinating because it gave me a wonderful insight into how the matrilineal knowledge was passed down. It also highlighted the importance placed on the sacred springs. However, at the time, I was not aware of any springs around Barton Stacey. I mentioned it to my then brother-in-law, who told me there was a winter-bourne in the field (Belonging to Cocum Farm) across from where the long barrow once stood. In very wet winters, this bourne still rises in the field and runs down to the River Dever where it joins it.
The old stories tell of the Maidens of the Wells, spirit women who guard the sacred springs. I imagine the stories are part of our collective memory, reminding us of a time when we honoured the waters that fertilised our lands and gave us food to eat. It is interesting too, to see that the rituals of the Neolithic remained in the Bronze Age, and still remain today, albeit in a different form.
Apart from this lovely confirmation of previous intuitions, I was also struck by the fact that at Stonehenge, the large energetic gateway was immediately on top of where the rivers originally divided.
If you are sensitive enough you will feel the energy of water as you pass over it, or get close to it. It has a very recognisable feel. The gate’s placement over where the river divided, might have been planned, or they may have simply felt the water energy below. We now need dowsers to find this water, but I know that it can be psychically experienced too, although dowsing is a great way to learn sensitivity.
The energetic gateway we perceived might have been an energy, built up over years of working with the place, in a sacred way. The gateway itself seems to be at one junction and the stone circle avenue at the other. (The gate is the pink triangle, and the blue circle is the site of the spring). The gateway might also have energised the flow of water as it passed close to the circles, on its way to the sea, like the River Avon close by.
Tom Graves‘ books tell us that many stone circle sites were built on underground water channels – as were Cathedrals and old churches. Tom was a dowser and did amazing work at many sacred sites, mapping out the energies of the stones, and their placement over water channels deep in the earth. His work opened the doors of understanding around how our ancestors ensured the survival of their community while honouring the earth. His books are well worth the read.
In doing these explorations into the past, we are relearning the ways our ancestors placed their sites and how they worked with them. In many ways, we are intuitively doing the same when we dress the wells and hang ribbons on ancient trees. The knowledge is in the landscape, and all of it is accessible. All we have to do is become sensitive enough to feel it and then act on what we perceive. Even if it seems like we are making it up. Because, when another technology finds the same information, it is so wonderfully affirming.
Try it out for yourself, if you ever have the chance to go to Salisbury Plain. I might have to go back myself … if ever I have the time…
On my way back from Andover last week, having taken the scenic route, I passed a crop of poppies that I thought I would return to when the seed pods were ready.
Today, having two hours to spare before visiting my father, I drove out to get them. While I was there, I went for a wander. I’d never been here before, except to drive through on my way between Winchester and Andover.
Since I was a child, I have always loved exploring, so I crossed the road and headed towards a gate. Beyond the gate, to my right, was a field of nearly ripe corn filled with bright red poppies and wild chicory. After admiring the view, and following a long path past an oil extractor and some other industrial area, (a sewage works; as I discovered when looking it up on the map later)I took a million photos until I spotted a way through the hedge and, on impulse, walked through into a small clearing.
When I entered the clearing, which was really only a space in a wooded boundary which may have been the original trackway through the fields leading down into the valley, (it’s still on the os maps from the late 1800s), I felt that familiar feeling of energy that makes me want to exhale forcibly. It’s nearly like I want to manage the energy I am feeling. Sometimes, it is also about transmitting energy, via the breath.
Initially, I didn’t know what I was picking up, or why, so I looked around trying to pinpoint the source. There was a large old beech tree that I had passed on my way through the hedge and I walked back to it. I stood beside the trunk and put my hand on the bark, tuning in. I felt my higher sense perception move upwards and my energy field expanded into a large sphere. At the edge of my field, I saw an elemental woman. She was nearly transparent she was so light and a very pale translucent watery green. Her simple dress was the same colour as she was.
Light, excited and very playful, she beckoned me to follow her, moving out of the clearing and onto the path. She moved along the track as if she was flying, or floating, but she had no wings. She was simply a lighter vibration than me. As light as air. I followed her over the crest of the slight hill and down the track beyond, wondering where we were going. Sometimes I could not see her at all but I could feel her around, pulling me onward.
As I got closer to the bottom, it began to feel very ‘busy’, as though there were lots of people there, but there were only trees and plants and insects. But I thought I heard the sound of rushing water. Then I decided it must only be the wind- in the willows. A sure sign of water. I discovered a plastic map of the area nailed to a post and discovered that there was a river: the River Anton.
The elemental had led me to a river. But why? I knew that I needed to connect with the river and that it had something to do with the tree, so I found a place where I could connect, not knowing exactly what was required of me. I faced the river, looking over the boundary hedge, and felt a cord move from my centre and into the water. My rational mind thought it was to draw the water’s essence in through the tube and into my body (which has happened many times) but instead, the tube went into the river-bed, and extracted something from the sandy floor beneath the water. It went down about two meters.
Next, I saw the elemental woman again, and part of the tube that was in my centre (Tan Tien) was now a three-pin plug. She beckoned me to follow her again and so I powered back up the hill until I came to the beech tree. Once again, I put my hand on the bark, thinking I had to plug the tube into the tree roots.
But nothing happened.
I remained standing and then saw the elemental woman move into my energy field, unplug the plug, and plug it beneath the roots. This was obviously not a job I could do, but her job! I could be a conduit, but she had the right energy to do the rest.
Once the job was complete, gave me a gift of a beech nut, placing it where the plug had been then she moved up into the branches again, waving in gratitude, happy that her tree had received whatever energy infusion it needed.
I think this might be the first time I have ever worked with an elemental of a tree that wasn’t a dryad, although I did once channel a story about a tree elemental who had to find another tree to live in because men were coming to cut his tree down to make way for a road…
Marko Pogacnik talks about the elementals of plants and trees in his book ‘Nature Spirits and Elemental Beings’. In it, he describes how he once did an elemental rescue for a woman in Ljubljana, who was concerned about a very old Linden tree that her family wanted to cut down. On a return visit, he saw that the tree had been pollarded and the tree’s energy was unable to spread out into the branches as it should have done and the faun was struggling to manage it. Marko was able to find another Linden tree to transplant the faun into.
I had been wondering about this as I had only ever worked with Dryads, not with elemental beings who lived in and around trees, but after this experience, I understood a little more. My guides will always give me an experience of something so I understand it, especially if it is to show me something that is the truth.
This lovely elemental spirit was so subtle that I often found myself doubting her existence. At other times when I have seen nature elementals, they have been very clear. But this one was as light as air, nearly invisible, yet her energy was wonderfully joyful and trusting. She could see that I could do exactly what she needed and she did not have any doubt in me at all… even though I was a human.
When I first began doing earthwork, I started working with Bronze Age burial mounds, also known as round barrows. I did not know then that it was the beginning of a remembering of ancient energy traditions that would take the rest of my life to learn. Every experience taught me something – it still does – but at that time it was new to me.
One of the things I found myself regularly doing, was circumambulation. That is: walking in a circle with sacred intention. My first experience was in the woods by the side of the road at Farley mount. Just inside the tree boundary is a large barrow with a couple of lovely Beech trees growing on top of it. I already had an interest in prehistory because I had been doing a degree in Practical Archaeology and loved reading the landscape, discovering ancient sites, and learning to see the world as the ancestors saw it.
Standing beside the barrow, I felt a strong impulse to walk around it three times anticlockwise, so I followed the impulse. Then, I stood on the Barrow and saw, with my inner sight, or higher sense perception, that it was built on top of a cross-over of two energy lines, except that it was no longer aligned properly. Over time, the earth’s magnetic field had shifted and so the lines were no longer in sync with that field. My job was to adjust them so they could do what they were designed to do – whatever that was. Through the power of my intention, and following instructions from ‘upstairs’, I mentally allowed the lines to vibrationally upgrade. I have no idea how that happened, it just did. Often I didn’t know why things happened but I learned to simply watch what my internal self was doing. (Round barrows are often built on energy lines and the people buried or cremated there act as energy guardians, as though part of their energy remained after death to take care of the place. You will find, if you are tuned in, that they will communicate with you so that you can carry out the work together, although this doesn’t always happen).
I remember the first time I got an inkling about some of the need for this anticlockwise walking. I had gone to two Bronze Age burial mounds that were beside each other, on Cheesefoot head, in Hampshire. At that time, twenty years ago, they were at the edge of a ploughed field and close to an ancient trackway that ran over the downs and into Winchester.
Standing at the barrows, I felt the impulse to walk around the first one three times anti-clockwise. But as I finished the final circuit, I was told to continue walking around the other one but in the opposite direction, sunwise, and this time to walk four times not three. There was a meaning to this. 3 +4 felt like feminine and masculine energies and they were joined in a figure of eight; the lemniscate, an energy I now associate with life-force, or dragon, energy.
As I walked around the twin mounds, I imagined the farmer and how annoyed he’d be that I was on his land. In my imaginary conversation with him, as he strode purposefully towards me, intent on telling me off, I joyfully informed him that I might be trespassing but at least his land would now be more fertile.
Ah, that was what I was doing! Although, I didn’t exactly know how. (At a recent visit to those barrows the field is now grassland and the barrows over-grown with vegetation and young trees. They are surrounded by a fence which gives them protection. No chance of them being ploughed out now).
After that, nearly every time I worked at a site, I had to walk around it first. I was usually told how many times to walk around, which at a large site took some time! Most times it is either one, or three times, depending on what work needs to be done. If it is simply to access the site, it is once, but if more energetic work is to be carried out, it is three times. The deeper into the energy layers you need to be in the more times you walk around. It is not often that I am instructed to walk four times around a site. In fact, I think that barrow at Cheesefoot was the only time I had to do it.
I never really thought of this as anything other than an earthwork practice until I started to recognise it in other places. It was a common practice in Ireland, for instance, which I didn’t discover until I returned there for a year in 2006. Although I had grown up in Ireland, I hadn’t taken much notice of old traditions, except for the yearly Pattern in St. Mullins. A pattern (from the french Patron) is a holy day dedicated to the saint who established a settlement, or church, there. In St. Mullin’s there is a holy well where people would go to pray and collect the holy water, which was reputed to have healing powers. The tradition was to walk around the entire settlement sunwise, but this gradually changed so only the well was walked around, usually following the Stations of the Cross (not a great energy to be anchoring!). Sunwise follows the sun.
When you walk clockwise around a site, it opens the Solar energies, the energy of male power, but anti-clockwise, or widdershins, opens the feminine energies of a site. Moving in an anti-clockwise direction was believed to have been the wrong way, the way of witches. No surprise there, especially when you think how the church lost the connection to the Divine Feminine early on, and therefore any reminders of the power of women, or Goddess, were to be suppressed at all costs. She could only be a saint because saints devoted themselves to a male god, but she should never get too big for her boots. It was especially important NOT to walk anticlockwise around a church. God forbid (excuse the pun) that the Divine Feminine should have a part to play in people’s spiritual beliefs unless she was in a lesser position. Such was the fear of Divine female power.
Video by Turlough O’Brien
But it wasn’t always that way. In early Celtic Christianity, the feminine was acknowledged and venerated, but over the centuries the recognition of feminine spiritual power was slowly transformed and energies from the earth were seen as dangerous. Hell was down there, after all, where Satan lived, and women who worked with the earth were in league with him. We all know how that went. To the church, everything good came from God, in heaven. The female power of the earth, and its mysteries, was suppressed, and the rituals associated with her, demonised.
In 2006, we lived for a few months in a converted methodist church, around the corner from St. Fiacre’s church, near Borris. There was a spring out in the field by the church, which is now in ruins. Every year, the people from the local town of Graiguenamanagh, where I grew up, went to the well to take care of it, just as they did in St. Mullins. Part of the tradition was to walk clockwise around the well, seven times. (They still make the annual pilgrimage, which incidentally is close to Imbolc). This walking seven times around reminds me of Mecca. But there, the devoted walk around the Kaaba seven times in an anti-clockwise direction, thereby unwittingly keeping the Feminine energy of the site alive and well. (Unfortunately, it is still controlled by patriarchy, much like the RC Church). There is a spring in Mecca, the ZamZam well which, according to the story, Allah opened for the rejected slave girl, Hajar, so she could keep her baby son, Ishmael, alive. Ismael was the son of Abraham. In reality, just as the ancient springs in the British isles were associated with female guardians, the Well Maidens, in the pre-Islamic world Mecca was originally dedicated to three goddesses, Al-llat (the Goddess), consort of Al-Lah (the God); Al-Uzzah (the powerful; and Manat (Destiny). (Virgin, Mother and Crone?).
Walking anticlockwise is the way of the Goddess, the way of the Divine Feminine, and when you walk around a site anticlockwise you are opening to the wisdom of the land. But often, this opening is also an anchoring. When I was doing archaeology at a site in Wiltshire on an Iron Age Banjo enclosure, I discovered that the circular site, with its bank and ditch avenue, was fed with red energy that came from a larger site a few miles away. I walked in the circular ditch, through the tangle of trees, and as I did, I laid the red energy from Fosbury Hillfort, encircling the enclosure with life-giving red serpent energy. I did the same thing a couple of days ago, when I returned to the round barrow in Farley mount, the one I had begun with all those years ago, and I was ‘told’ to walk around the site three times. I did the rounds twice but before beginning the third circuit I stopped. The sun had come out and I felt an impulse to raise my energy to its light. As I did, I was instructed to continue the walk but as I did the solar energy was coming with me, as if the barrow had a ditch (many of them do) and I was filling it with liquid solar light. The circuit was complete when I reached the point I had started from. In this instance, the masculine energy of the sun was anchored around the site. Why? I don’t know, but it was like an activation, of sorts. A feeding.
Once the rounds were complete, I stood on the barrow. My crown centre opened and information, in the form of light, flooded into my head. It lasted for a minute or so and then all was finished. I did not know what this light was about until the following day, when my daughter came around for some healing, which turned into an initiation. The energies she needed were given to me on the barrow. Because she was being initiated into a deeper connection with the earth, the energy had to be given by the earth. Another new experience for me. And for her.
So, when you are at a sacred site, and you feel the impulse to walk around, follow it. You are opening the energy of the place and therefore will be able to access its wisdom, and gifts. Your service to the planet is to utilise these gifts and to reawaken the Divine Feminine. The trick is to trust yourself. Trust the impulse, because it arises from a deeper part of you that knows what it is doing.
If you find yourself at a site but you do not feel the impulse, don’t do anything. The sites are not always accessible or don’t need you to do anything. When they are active, you will know it. When they are not, you will know that too. Don’t do it because you ‘think’ you ought to. That is the mind interfering with your higher sense perception. Tune into the site, if you feel you need to, and ask. You will soon learn what a positive or negative answer feels like.
There is so much work to be done to bring back the Goddess consciousness, but it is always important to remember that it is to bring the balance of life back into consciousness. Not for one to overpower the other, which has happened far too many times. It is time for Love to balance Will.
The link below was written by my great Grand Uncle, John O’Leary, from Graiguenamanagh, where I grew up. If he was around now he would have been a great blogger. Here is also a link to a book my uncle Philip wrote about the O’Leary’s who were artists, writers and antiquarians.
I have worked, energetically, with stone circles for twenty years, but it was on a trip to the remains of a stone circle in Cumbria, deep in a forest plantation, that I was granted a wonderful insight into one way which our Bronze age ancestors used the circles.
From that experience, I understood that some circles were associated with maintaining fertility. They were used ritually at certain points of the year, (solstices, equinoxes, etc) and at that time priests, priestesses, and the entire community channelled the energy of the solar light into the circle to fertilise the wheat they had harvested the previous season, fertilising the waiting earth beneath; the masculine creative force of the sun, fertilising the female earth.
At the end of the Mesolithic period, ancient communities moved from hunting and gathering to growing and tending. Their focus was on the growing of food, therefore taking care of both the physical landscape and the energetic landscape meant they had a better chance of survival. Their awareness of the Oneness of life was a part of them. They did not simply live on the planet, separate to it as we do, but they understood they were an integral part of it.
But how did the Early Neolithic farmers begin to use stone to contain and hold the energies they built in the landscape? How did they learn that particular form of energy-work in the first place? I have found no evidence of fertility work of this nature in the earlier Mesolithic hunter-gatherers. It seemed to arrive with people who grew their food on a large scale and who needed specific energetic help to accomplish that.
Before agriculture, hunters worked shamanically to connect to the spirit of the animal they were about to hunt, communicating with it before the hunt and asking for, and acknowledging, the creature’s sacrifice to feed them. But, with the advent of agriculture, some of these practices changed. To the ancestor, everything was energy. Every living thing, including apparently inert objects, such as stone, soil, etc, had a spirit and therefore deserved respect and acknowledgement. (You only have to look at the current indigenous people of the world to see how our ancestors might have lived).
It has always been a mystery to me how practices changed, from hunting and gathering, to include the growing of crops. Once you begin to grow food, the process and focus changes. But when did they begin to associate stone circles with corn-energising rituals?
It was only while reading Home by Francis Pryor, that I found a possible answer. Francis had been working on a Neolithic causewayed enclosure site in Etton along with his wife. The enclosure was part of a complex of enclosures, like Salisbury Plain, and comprised a single circuit of interrupted ditches. They discovered, at the end of each ditch segment, objects which had been carefully placed there. The deposits in the segmented ditches were laid in layers, each protected by a birchbark mat, which would have been naturally waterproof. Intact pottery vessels, turned upside-down, skulls, and broken quern stones, for the grinding of grain into flour, were also placed in layers in the ditches.
Upright Saddle Quern Deposit.
According to Prior, the objects placed within the ditches were crafts traditionally carried out by women: pottery, weaving, bread-making, etc. That makes me wonder why they deposited these particular objects in the ditches? Was the site traditionally viewed as female? Just as with the Cumbrian circle? The female energy was believed to reside in the earth, so it makes sense that if they wanted to ensure the positive flow of energy into their own home and tribe they would make offerings of gratitude for the resources already received and the petition for that flow to continue for the coming year.
Quern stones at each side of causeway.
Within the henge, there were also multiple pits filled with ritual deposits, but the most striking thing for me was that in the ditches on either side of the causeways, quern stones had been placed on their sides, so that they stood upright. Stones were placed on either side of the causeway, of which there were possibly four, oriented North, South, East and West, although the South entrance was subsequently destroyed. The deposits seem to have been placed, on separate occasions, but in the same place each time, in layers, perhaps during large gatherings, and by kin groups. Each time they gathered, they carried out ceremonies and a new stone was placed there; again on its side so that it stood upright, but above the buried layer of the previous celebrations.
Grain was an important part of their survival and the excavators of Etton discovered evidence that “cereal crops were both grown and processed within the immediate vicinity, perhaps within the enclosure.”
Datchet causeway. Example of how ditches were spaced.
When I read this for the first time, it immediately reminded me of my visit to Cumbria. and the importance of the stone circle in charging the wheat for the following growing season. The deposition of saddle querns, upright in the ditches, signalled for me the mental leap made by the Neolithic communities from ritual deposits of stones for wheat-grinding to standing stones. Wheat was such an important part of their survival that it stood to reason that the objects associated with grain processing should be held in such sacred esteem. I imagine, through the deposition of these stones, each family was both manifesting their food for the coming year but also giving something back to the Mother, in gratitude for feeding them; for taking care of them. And, as the quote above suggests, if the site was used for the processing of wheat, then corn rituals might well have been carried out in the centre too, creating what later became, the stone circles.
Knowth Basin.
In Knowth, there is the huge concave stone in one of the recesses within the burial mound. Burial mounds represent the womb of the Mother. Knowth is part of the Newgrange complex, where the sun enters the chamber at Midwinter, to light up the darkness within. Again the solar rays fertilising the Mother. The large concave stone is like a huge ceremonial saddle quern and may well symbolise the fertilising of the grain. A gift to the mother and holder of the ashes of people who may have been the ones who carried out the sacred ceremonies.
The carving inside the stone is interesting too: To me, it looks like an energetic representation of the solar rays fertilising the seed within the womb of Mother Earth.
Knowth Inner carving.
Of course, it may have had multiple meanings. As modern humans, we see symbols as representing things we only have understanding of ‘in the present’. We see things one-dimensionally. Our ancestors may have had access to knowledge we can only imagine, or re-learn, as we work in the energetic landscapes of the Mother.
The positioning of the saddle querns in the site in Etton also made me think of Mecca, where before Islam, tribal communities gathered there yearly. Each tribe had its own stone statue representing the energy of their tribe, their over-ruling deity, part of a circle of stones around the sacred site. Only with the coming of Islam was this practice destroyed and now only the ruling family have their ‘stone’, contained in the Kaaba. (Mecca had been a sacred site for many centuries, sacred to a triple goddess. One of these goddesses, Al-Uzzah, was a grain goddess).
Old Mecca.
As I was writing this, I found this very interesting article: https://www.hunebednieuwscafe.nl/2017/10/british-stone-circles-were-used-for-parties/ The article states: The research into the Ring of Brodgar also showed that each stone comes from a different part of the Orkney Islands. Apparently, each of the diverse groups of people brought its own stone and placed it in the monument. Remarkably, Professor Bayliss’ research also found evidence that people travelled to the Orkneys from as far away as Belgium. This fits very well with the idea of family groups/tribes having their quernstone in the circle.
Many ancient Mother/Goddess sites were symbolic womb; places where, at certain times of the year, the energies of fertility were strongest. The midwinter ritual of the sun piercing the darkest recesses of burial mounds, and temples, were fertility processes: the male sun sending his fertilising principle into the dark womb of the Mother to activate the egg waiting there. These were no empty rituals, however. Our ancestors understood the active energies that revitalised the energy lines in the earth, that brought new vitality after the dark of winter, warming the earth; bringing new growth. Where energy flows, so too does life.
There are naturally powerful places on earth where the energy is palpable, such as volcanos, places where crystals have formed, and deep underground caves. Places too where elemental energies are strong: rivers, lakes, mountains, and forests. But energy is also built through ritual and intention. I have never been a ‘ritual’ worker. I never really understood the purpose of ritual except as a focus for creating and for intention. But, I recently had an experience in a Cathedral Church in Arundel where I saw the result of ritual actions on the energy of a place over time.
We were working on making a triangular connection between the sea and the river Arun. I wasn’t sure where this connection was supposed to be anchored but we went into the cathedral, just in case. I had been given water energy by a wonderfully loving sea elemental on Littlehampton beach and although I knew I had to put it somewhere; I didn’t know where, until it happened. As I approached the altar, which was built on top of an ancient spring, I saw the blue column of light behind it, which had been built up over the years by the priests doing the bread and wine ritual. This was a surprise to me. The energy had built up over so many years and had created a healing channel in the cathedral. This is also where the water energy gift was anchored, which was also a huge surprise. (One of the important things to remember when doing energywork is that religious belief plays no part. It is the positive intentions to help humanity which are important. Although saying that, the ancientness of the catholic ritual contains an energy that I have not found in other, more modern religious rituals).
But this ritual also involves the energising of bread, just as the ancient ritual in the stone circle Cumbria showed. (I think the energising of the wine might have been Roman in origin and added later as patriarchal religions became more prominent. The wine is energised from ‘above’ whereas the bread should be energised by the mother-energy ‘below’).
So that brings us back to the quernstones. We know that causewayed enclosures were the forerunners of stone circles so if the quernstones were placed as sacred objects and connected to a particular kin-group, (as in old Mecca, and Orkney), then it is not such a stretch to see that the later ‘standing stones’/quernstones in a circle came to represent each kin-family’s offerings to the Mother Goddess. The rituals building up over time gave these places their sanctity but there may well have been an extant ‘energy’ that told them where to build these sites in the first place.
The alignments of the main causeways appear to be directional, and the east/west entrances align with the sun. (We have often found main energylines crossing over in these sites, although not necessarily NSEW aligned). The astrological alignment aspects of stone circles might have come into play as a way for them to be sure about the timing of important events. I’m sure the simple beginning of the ritual circles became more complicated over time.
A very good book which explains how Glastonbury abbey was created is: The Gate of Remembrance by Frederick Bligh Bond, F.R.I.B.A. It is a book about the discovery of The Edgar Chapel through automatic writing and gives very interesting energetic information on how a sacred site is created.
Around fifteen years ago, we visited Ashe church, near Overton, in Hampshire, looking for the source of the River Test. We were doing it out of interest, rather than anything else, because at that time, I was studying archaeology and interested in the little Saxon church there.
Source of the River Test.
Nothing much happened on the first visit, because the source of the river rose on land that was not public, so we could only see it from a distance. On a subsequent visit, however, we met the owner, and he gave us permission to go through his field so we could be beside it.
Sitting on the island of vegetation in the middle of a little lake created by the spring, there was a large green dragon. We were both aware of it, my friend Chris and I, but it wasn’t there alone. Its babies surrounded it; little green dragonlets playing on the island.
St. Nectan’s Waterfall.
We had never seen dragon-babies before and had no idea what they were meant to represent. We had, however, met with the green-dragon-energies before on our travels, in St. Nectan’s waterfall, where the water gushes through a slate hole, carved out by the waters of the river Trevillet. The Trevillet rises as a spring not so far away from the site, and its influence stretches from its source to the sea, where Tintagel Castle stands. It travels via the river, until it pours through the slate hole at St. Nectan’s, and then moves overland to the castle. Its tail is at the source of the river; its head at the castle.
(After first connecting to the Dragon energies here, we found a little book about it! Energies come through the subconscious, so this author was aware, without realising it perhaps, of its energy).
You can buy this online.
So, here we were, looking at a mother dragon, and her little ones, with no idea what to do next. We didn’t know what they were for, either. Although we knew they were associated with springs, we knew nothing more. We left, still none the wiser, and returned to Winchester where we visited the three sarsen stones in the Abbey Grounds, near King Alfred’s statue. While I was walking across the grass, I noticed a green baby dragon hanging onto my calf, like a toddler. This was so ridiculous I was afraid to say it out loud, so I kept it to myself. It was too much like a children’s story but, of course, it really only meant that I had somehow carried a portion of this green dragon energy with me when I left the Test spring.
Three sarsen stones, Abbey Gardens. Winchester.
Our minds create images of energies we can accept, on some level, otherwise, they are nebulous and we do not understand their purpose or function. The unconscious knows how we process information, and how we learn about symbols, so it presents information in a way that makes sense.
But I was keeping my mouth shut, anyway.
Back in the Abbey gardens, with a baby dragon hanging out of me, I got the feeling that we needed to go to the Cathedral, and as soon as we set foot in the door, the baby let go of my leg and leapt up the stonework of the building to the roof, where it remained. I still didn’t understand why it was there and wondered if it had anything to do with the blue energy-line that runs beneath the Cathedral. Only on later visits did I understand more.
After I left the dragon baby at the Cathedral, ‘they’ then instructed me to visit the Bishop’s Place, which was close by. Another baby dragon energy left my leg and flew to the top of one wall, where it too remained.
Bishop’s Palace, Winchester.
I never told anyone, except Eartha (who knows about this stuff), and Chris, until two friends, visiting the Cathedral, and palace, separately, and on separate occasions, told me they had seen a young green dragon-energy flying around the ceiling of the Cathedral and around the inside of the bishop’s palace! They had grown since I had left them there, and now that they had seen them too, I didn’t feel so crazy and could share how they got there.
Over the years, the dragons have grown, and other people have reported back to me about their presence. It is always such good confirmation and worth not telling anyone until getting that. When other people see what you see, you realise you are perfectly sane and rational, no matter how things appear to the contrary.
As my guides say: “Green dragon energy creates an environment of growth and potential. Where the spring rises, there is the promise of life.” Pretty succinct and pretty clear. Because this is dragon energy, which is elemental, that new life comes as vegetation; the food which feeds us, and all creatures that exist on the planet, including the planet herself.
Those two green dragons were anchored there nearly fifteen years ago, and we have watched them grow since then. However, we were not prepared for our last visit there, the day after Queen Elizabeth died.
My friend, Chris, and I were walking towards the Cathedral after a brief pitstop in Chococo’s to get a hot chocolate, and as we reached the graveyard, I became aware of a huge energy surrounding the building. It felt elemental but as we got nearer; I saw that the green dragon energy that we had planted there had now grown to encompass the entire cathedral. The physical Cathedral was now inside the dragon energy, and not vice versa.
Winchester cathedral Dragon Energy.
We went into the building and walked along the central aisle to the centre point (there are three points along the aisle: the Head, Heart and Hara centre). As we proceeded, we were aware that we were inside the dragon’s body. I was instructed to stand on the Hara point, which in the physical body, equates to the centre behind your navel. This point connected to the Hara line of the Dragon’s body too. I felt the connection, but nothing else happened, so we pottered off to the little prayer chapel. I wanted to go to the main altar but the back of the cathedral was cut off to visitors.
After pottering around, I felt drawn back to the dragon-centre point again and this time, as I took my place there, a green column from the dragon’s Hara-centre, descended around me. When it reached the floor, it filled up with the green of the dragon’s energy, like green fluid, filling all the way up. When it was filled, ivy began to grow at my feet, spiralling upward, around the green column until it reached the point where the column emerged from the dragon’s body. There was a feeling of something being reciprocated here, but I didn’t understand what that might be. It could be because we had anchored this dragon here in the first place and I was being given this gift of ‘greenness’ in return. I don’t know. There are many gifts we are given in return for our service and this was one of them, and although I do not know what it is for, I’m sure I’ll soon find out.
So, if you are visiting Winchester Cathedral, tune into the green dragon there, and see what happens. You might be surprised, and she might have something for you to do too.
This is an old diary entry, which I thought might be an interesting view into how I received one of the Gaia Method Earthways Symbols. I received most of the symbols this way, always in nature, and this barrow is one I return to again and again. I always receive something new from the Guardian there.
I went up to Micheldever woods with May, my first grandchild, and one of my daughters, Hana. It was a lovely walk, and we went through the Iron-Age Banjo enclosure, in Itchen woods, and then the ‘King’s’ barrow, followed by a walk to the ‘Queen’s’ barrow, which lies some distance away. I didn’t think we could negotiate the buggy through the woods, but we managed!
As we stood on the Queen’s barrow, which is what we call it, the energy felt exhilarating. The wind blew up, and it was like we were in a thunderstorm. Elemental energy is often experienced this way and it is the way the elemental energies indicate their presence.
Beneath the barrow, I began to ‘see’ a pink crystal, and a blue one. Hana took May to the buggy to give her a snack, so I could tune in properly. I had not expected to be doing this today; we’d only come for a walk but as I stood there, I saw the blue crystal clearly. The energy of the lady guardian of the barrow permeated my energy-field. When this happens, it is as if their energy is my energy; I feel like her, much the same as when mediums feel the energy of the person who is coming through them.
Looking down at my feet, I became aware that I was wearing a long white dress that spread out all around me and covered the barrow in white, fabric folds, like satin. I held a key in my right hand. A keyhole appeared in the blue crystal as it hovered within the barrow and I inserted the key into the keyhole. When it opened, it had become a bejewelled chest. The chest lid opened and inside was yet another key. This new key had a green lustre. For a couple of minutes, I received no further information so I asked what this key was for. The information floated into my head. I was told that it was a Gaia Method Earthways key. I waited for the energy of the key to show itself but it took some time. A white vortex began to form around me, and I understood the symbol was the vortex.
This white vortex began to transform into a sparkly white dragon. That was the name of the key: The White Dragon Key. I asked what this symbol did as it obviously whirled around the energy field. I was told that it raised the vibration of the field to a higher level, the level of the realm of ideas. All the ideas that ever were and ever will be are contained in this layer and with this symbol, you can access them. The layer seems to be full of as-yet-unmanifested potentials.
I felt strongly, that in return for this gift, I wanted to give something back to the site, so I asked what I could give. I saw the Venus mirror symbol, with the mirror turning and flashing in the sun as it rotated. It was as though it was sending light information through the air to other sites but what this information might be, I wasn’t sure. Then I saw the symbol anchoring about 30 cm in the earth. Where it anchored, ruby Venus energy spread like tree roots beneath the barrow. The mirror flashed again, as though it was signalling other sites which expressed the Venus energy, like a ruby Morse code.
At one point I saw an opening in the earth being opened by many hands. It was like the Sheila na gig opening in spring except that this time there was an ancient burial of a woman inside it. She was so ancient she looked mummified. The guardian of the burial showed me a ring the dead woman wore on her left-hand ring finger. She said she wished to give me this ring, if I would accept it. I asked her what it was for and she said it would help me move forward when things were slow. It would help me get to where I needed to, both vibrationally, and physically. I thought about that and decided it was a good thing to have, so I accepted. The guardian took the ring from the ancient lady, who reminded me of Hatshepsut, and placed the ring on my finger. The Lady in the Barrow was the Guardian, her energy still very present, that was the reason for her burial there.
When the energy returned to normal, I relayed what had happened to Hana. She was thrilled because, as she had been looking after May, she too had seen the white vortex and had seen herself standing at the edge of a white energy-field.
It’s always good to receive confirmation.
I have to say the elemental energy of the barrow was wonderful. Even May was squealing with excitement, watching the trees blowing in the wind.
A few weeks ago, we went to the New Forest to visit an Iron Age hillfort called Castle Hill, near Burley. I was reading ‘The Forest’ by Edward Rutherford and he mentioned a myth about a dragon there. As I have often found, where there’s smoke, there’s usually fire. Myths are great for finding sites associated with dragons because ancient cultural beliefs remain in the collective unconscious of the area.
The Oak Mother Tree.
Once we climbed up the hill to the hillfort, not realising, until we were inside, that there was a road which would have given us direct access, we found a beautiful old oak tree. It felt like a Mother Tree and it stood at the western entrance. We were told to make an essence in this old tree, which was a combination of her ancient stability and wisdom, and the white dragon energies that protected the site.
The white dragon, which looked very ‘fleshy’, more like a Chinese dragon, had long serpent-like tendrils hanging down from beside its nostrils and it stood at the entrance, facing outwards, acting as protector of the hillfort. On the other side of the hillfort, at the other entrance, I could see another one, looking out towards Lymington. My guides instructed me to walk sunwise, around the inside of the fort, and to connect the dragons to each other via a white light ring. In my mind’s eye, it reminded me of that old toothpaste advert, with its ring of confidence. White with a blue tinge.
Chinese White Dragon.
As we walked in a circle, around the inside of the fort, we continued to tune into the energies of the site. We were told that this place was a place of safety during times of invasion. When outlying villages were attacked, the people who lived outside would come to be fed and protected. It felt like it was during a time when there was much instability and villages were routinely robbed and destroyed.
Dragon priests, able to communicate with the elemental energies of the place, were given forewarning that an attack was imminent, and they informed the villagers, who trusted them completely. They then left their homesteads and came to the safety of the fort, often returning later to burned homes and destroyed livelihoods.
Rain-filled gravel pit on top of the hill.
Part of the energies of these dragons was that the protection they offered was an energetic force-field which only allowed in energies that resonated with them. The priests of the place held that energy. If others came with bad intention, they were denied access. It was as if they would feel repelled by the place. Perhaps a fear set in, or a superstition triggered. Something always kept them out. I have found this before, at particularly elemental sites. An energy-field that you could only access if you saw beyond the glamour that surrounded them. They were invisible to most people. The ‘glamour’ came in the form of fear. For no reason that you could see, you would suddenly become afraid, seeing darkness all around you. Only if you could see the fear for what it was could you access the wisdom and knowledge of the elementals who inhabited the place.
The white dragons fulfilled the same purpose in Castle Hill hillfort.
Essence being made.
As we made the white dragon essence at the Mother Tree, I became aware of a blue dragon energy moving in a line behind me. I was facing the centre of the fort, and the line, which looked like a blue serpent energy, entered the back of my Hara and rose out of my crown, then it travelled down through my feet. I had the strongest feeling we needed to go to wherever this blue dragon line was coming from. This turned out to be the Avon River at Ringwood.
We drove to Ringwood and brought this new essence to the river, following our intuition to the river, by a lovely green area called Jubilee park. As I poured some of the tree essence into the river, I heard myself say: ‘A gift from the Mother’.
The Avon in Ringwood.
Next, I filled a bottle with water from the river to take back to the fort. I was told it was ‘the gift of water’. And I was aware of how privileged we were to have water. Some places don’t have any. The feeling was that water was a gift, one we could not live without. There were so many places that did not have water, such as in desert environments and places where humans have polluted the seas and rivers and groundwater. We do not recognise what a gift we have. What I loved about this exchange of gifts was that they were given freely, in recognition of the importance of both places.
This was also my cue to stop complaining about the extremely wet winter we have had all winter. I had become so tired of my back-garden quagmire, which my hens had created, and I’d begun to think the rain would never stop.
Before we left the little park, I had a desire to stand on the bridge over the river. Looking across the sparkling waters, the view was beautiful! There was a glorious feminine energy presiding over this fast-flowing river, and she told me she would like to add to the essence, which now contained oak, dragon, and water energy. She put a fish into it, just like at the Itchen last year. The fish is masculine energy, but still hers.
A Gift of Water Fertility.
We drove back to the hillfort and brought the water to the tree. There, I had to walk around it anti-clockwise in a circle, pouring some of the water on the ground as I walked. Chris did one half, and I did the other, like a yin/yang. Pouring the water in this way tells us that this essence is both for use as an energetic spray, and to be gifted to the land in certain areas. This gifting activates energies at the site. Many times, when making an essence, we are told to pour some on the ground, or at the base of a tree. This then sets up an activation point which affects the energies coming in and going out.
Having finished the circle, it felt like we had completed another circuit, just as we had with the white ‘ring of confidence’.
The following week, we went to Lymington. Such a lovely town, with its old fishing alleys and a small slipway. Now, however, it is no longer a small fishing village but a marina. We walked as far down to the sea as we could, then stood beside another slipway, from where I could see the opposite shore. I never know what to expect when I reach a place, and this time was no different. But, thinking I had some active work to do here, I was surprised when nothing happened. Instead, I felt an energetic aura of water emerge from the sea and surround me, as if I was carrying a bubble of water. It was a strange wobbly experience and I was very aware of holding this fluidly moving bubble of liquid. But I knew this was to be brought back to Castle Hill.
View From Lymington Marina.
We drove into the hillfort this time and wandered down to the oak tree at the entrance. Standing beneath its branches, I felt the bubble of water, which was undulating around me, suddenly flop onto the ground, where it then seeped into the soil in a cascade of blue.
That was all I needed to do – I thought – until I saw a large white dragon’s egg appear beneath the tree. We were instructed to stand within this egg and were told that this was an initiation into the protective guardian energies of the White dragon. We could transfer this protection to people who would be the guardians of a sacred place. We could also place it around a home if that place was going to be a sanctuary or healing space.
Both water lines anchored.
After this gift, the work was complete, so we explored the rest of the hillfort. There are old gravel pits there now, filled with rainwater and as I stood looking into one, I felt an impulse to throw a little gold ring in. It was a tiny ring I had found walking up a road around Winchester and which only fit on the first joint of my little finger. It had originally been on something, like the rim of a bottle, but I knew, when I found it, that it was destined for someplace else, so I had worn it with that in mind. I have very little jewellery left at this stage, as so much of it has ended up in pools or rivers. A gift for a gift – or a symbolic sacrifice, a letting go of attachment. Plus, the metal can work as a physical anchor for activated energies.
It makes me wonder, though, about the real purpose was for all those iron-age swords and gold found thrown into rivers and bog pool in ancient times.
Perhaps those ancient people also exchanged gifts with the spirit of special places and energies…
Today is St. Brigit’s day, in the Christian tradition, or Imbolc in the Celtic. She was originally a pre-Celtic goddess, of fire, of healing and of fertility.
As the dark winter days brighten and lengthen, fresh shoots appear. Snowdrops give colour to muddy ground and sparse grass. Bluebell spears emerge from cold soil and energy grows. This is the time when the fertility of the land awakens. The sun’s energy is drawn, deep into the earth, to warm the sleeping seeds and bulbs, to fertilise the land itself with its life-giving rays.
The ancestors celebrated this process. Every few years, in settlements, such as at Danebury, in Hampshire, or Fosbury, in Wiltshire – embodiments of the Mother’s womb – , a priestess would stand on the highest point of the settlement, the belly of the Mother, and bring down, through her body, the solar energy, channelling it into the waiting womb of the earth. The Sheelagh Na Gig, the Crone of Winter, became youthful Virgin once more.
These ‘Mother’ sites were part of a vast network of energies, through which the fertilising light of the sun travelled, even before its physical warmth could be felt. Once the symbolic egg had been made fertile, this energy fed many smaller settlements, some as small as single farmsteads, but all radiating the light into the soil, into the trees, into the hearts and minds of the people.
Giant Sheelagh Na Gig. Danebury Hillfort. Hampshire.
The serpent will come from the hole On the brown Day of Bríde, Though there should be three feet of snow On the flat surface of the ground
One tradition on Brigit’s day was to clean the home, to sweep out the energy of the past and to welcome in the new energy that would bring newness and fertility to its inhabitants. It was all done with intent. The past year was gone, and a new one begins. Clear out old dreams; dream new ones.
This is the time when new pathways are forged and plans for the coming year can be put in motion.
There are many well-known traditions, and all accessible on the internet if you search. The most important aspect, in terms of energywork is the solar fertilising of the earth and the lighting/maintenance of the Flames.
As a planetary healer, part of your work is to maintain these energetic flames. Planting one in your home, if it is connected to this energetic grid, keeps the energy flowing. I have one in my home and have anchored them in the homes of my daughters and friends – other Gaia Method Earthways healers – when I am impulsed to do so. For two weeks before today, the energies rise and the flames are tended. Sometimes, they change colour, sometimes other energies are added. I can see them changing, in colour and number, sometimes becoming three, sometimes reverting to one. Each flame is a frequency of creation, a creative fire that inspires and keeps abundance flowing.
There are ‘Keepers of the Flame’ all over the world, carrying out these ancient tasks, and there have been for millennia. Now we are re-learning their ways so that the earth can be fruitful and abundant. We can change our old ways and learn how to live in communion with the Mother. Learn to channel the light into her pathways once more.
St. Catherine’s Hillfort, here in Winchester — the view from my house — has a flame. This year it has become a white flame, rising from the hilltop into the sky, spreading a disc of silver around the surrounding landscape; the abundance of the Mother. A necessary thing, in these times of fear and confusion. The White feels pure, and light, bringing awareness and a feeling of spiritual power. The power of Light, not might.
St. Catherine’s Hill, Winchester.
The more we work with the ancient energies and ways of life, the better will be both our lives and those of others around us.
In searching for fertility sites, look for the signs, both through intuition and physical evidence. Where the stone-carved Sheelagh na Gig’s are, nearby you will find a site, waiting to be reawakened. Early Christian churches often use them, as they signified a place where the energy of Imbolc was activated, albeit in a different form. There are places all over the British Isles, and Ireland, that hold these energies. All it needs is for you to find them.
“Now is the time to tend the fires. To create anew your dreams for the future. Go into the landscape. Connect to the Mother, Brigit, Goddess of life, and bring fertility and life back into your lives.”