This attunement is a dragon transmission that attunes you to the dragon energy you need to be connected to at this time. You can choose the dragon energy you wish to work with, or you can leave it open to see which dragon energy wishes to work with you. Often the dragons themselves have been training you for a long time, without you knowing it, until it is time.
There are specific energies connected to the elemental realms, but also dragons of crystalline consciousness. Dragons are the creative energy of the planet but also part of your own consciousness. When dragons start appearing in your meditations or in your visions, your own dragon consciousness, that part of you that creates new worlds, is waking up.
Each dragon energy, whether elemental or crystalline, takes time to emerge. They do not come into your consciousness until you have developed along certain lines and can hold their energy in your auric field. When you are ready to wield dragon energy, they awaken. They are an extension of your energy, but able to work in the outer world, bringing change to what needs changing. When they first appear, it can seem that they are separate to you, but they are part of you, the part that can work within the Dragon dimensions of the earth.
The dragon dimensions are highly creative realms, full of potential, and the dragon energies you hold can be sent into these dimensions. This is how you work within them. Without having your own dragon body you could not access these realms. This is what makes working with the dragons so exciting. It takes time to develop your dragon body, just as it takes time to learn any new skill. Working with dragons means you are affecting the outer world, therefore you must master self-trust and also the ability to say ‘Not my will, but yours’. This is your Higher Will, not your personality will, in action.
Because your dragon-self works within the dragon dimension it knows what it needs to do, so your task is to hold that energy and allow it to do its work. You become both the holder and the watcher.
The dragon attunements allow you to awaken dragon energies within your field and they will train you to work with them. The dragon energies of crystalline frequencies are the easiest to work with, initially. So if you are drawn to crystals, you can learn to work with their creative energy consciousness too.
Working with the bigger dragon energies of nature takes time, and skill. You have to be able to maintain the dragon energy in your auric field and to hold it steady. But again the attunements are channelled by the dragons so that you receive the energies you need to awaken your own dragon consciousness in the best way possible and for your purpose on earth. For people who work with nature, these dragon energies are hugely valuable because they teach you about the cycles of nature and how you can work within their greater cycles of growth to affect change in human consciousness, especially around nature.
To receive an attunement to a dragon energy, you can choose to work with the crystalline dragons, or the dragons of nature. You can also allow the dragons to choose you. Which dragon energy are you ready to work with?
If you want to work with a specific dragon just let me know. Send me a photo so I can connect with you. You don’t have to be attuned to the Gaia Method Earthways to receive this attunement.
Dragon Attunement.
Choose which dragon you want to deepen your relationship with, or that you wish to awaken.
£35.00
Crystalline Dragon Attunement.
Receive an attunement to the creative dragon energy of the crystalline world that wishes to work with you. Or one that you feel a certain afinity to.
Or allow it to choose you.
This is a beautiful attunement to receive.
Chris and I went up to Flowerdown Barrow, Littleton, today to do some energywork, and to make an essence. Chris brought his dowsing rods so we could check out the energies of the barrow once we were finished the work we had to do. As usual, we never know what it going to happen, but this visit was very interesting. Many years ago, on our first ever visit to this barrow, I received channelling that said this barrow was one of the most important sacred sites in the area, a place where people came, annually, to celebrate and hold sacred ceremony. It held the balance of the grid, providing much needed fertility to the area and distributing the cosmic energies into the energy-lines in the earth.
We stopped first at the remains of a large sarson menhir, which came originally for a field a kilometer away, in Dean Down Drove. Again this was originally part of the sacred landscape and would have been used as an anchor for the above-mentioned energies. It has some interesting features and sparkles with tiny crystals, which, it was impossible to capture.
I placed the bottle on the stone and Chris was ‘told’ to walk around the stone three times, in a sunwise direction. Yet, he felt that this stone was more lunar than solar and still it needed to be anticlockwise, in the direction of the sun’s movement, which is the masculine-opening direction. When he had finished, he saw that sparkles of lunar-light were rising up from the stone in a wave-like pattern, but again they were linked to the moon. He was aware of a lunar goddess, but with an Egyptian flavour, and she was dressed in a lilac-blue dress. She was related to the Full Moon. This is the preliminary energy that went into the essence bottle. More happened later in the main disc barrow.
(Side note: When we are doing earthwork, when doing it with other people, we can often see images of people, just as Chris did with this Egyptian lunar goddess. Sometimes, these ‘people’ represent real people and the energies they are bringing or working with. As soon as Chris mentioned the Lunar feminine, I knew he was seeing a part of me and the energy I am bringing to this work, in this moment. It became clearer when we began working on the disc barrow. Sometimes, people will appear to Chris and I know who they are because I have just given them a particular energy which Chris is picking up on, as will become clear in the next blog. Once, when we were working in Hook, in Co. Wexford, I was doing the energy work on the shore and Chris reported seeing a druid with his arms raised to the sea calling the energy, which is what I was doing. But I was not speaking, so Chris had no idea, thinking he was seeing a spirit person, or guardian, doing the work. The more you work with energy, in these dimensions, the more you begin to recognise another person’s energy as different to the true spirit guardian of a place. The guise you are seen in holds information however. In that case, I was working as the druids worked, calling in the elemental and the waves. At the barrow, I was obviously utilising energy from my Egyptian training with the moon, even though I have no conscious memory of that).
Back to today: When Chris walked around the stone, clockwise, on the third round he suddenly felt a shift that made him feel dizzy. (I had the same experience on our next visit, having done the same). He had shifted energetically to be in tune with the necessary energy level of the site. His feeling was that this stone was connected to lunar cycles and ceremony, which would explain why we never experienced energy from this stone before. it was active only at certain times, as if it released energy only at those times.
This lovely sparkly lunar energy went into the bottle, which I had placed on the stone and then an apple went in to. Apples represent the knowledge of the Divine Feminine. This part of the process was finished so we proceeded to the main barrow only having to walk once anticlockwise around the smaller one which lay between the Sarsen stone and the disc barrow. As we walked towards the smaller one, we were both aware of feeling the stone’s original position in the farm where it was taken from, half a kilometer away. It had been a satellite stone but removed by the farmer to the museum in Winchester and then placed here at the barrows. It was as if the stone had left an energy memory in its original position and was letting us connect to that.
Flowerdown Disc Barrow.
Standing on the outer bank of the barrow, I was instructed to place the essence in the centre of the barrow itself. Next, we were told that Chris had to walk sunwise, the masculine solar direction, around the barrow bank. While I had to walk anticlockwise in the feminine direction. Three times we had to walk, Chris walking a sunline and me walking a lunar line. These looked like a band of yellow light, and a band of white light, each flowing in the opposite direction. We each did three rounds, at the same time, meeting at the same point each time. It reminded me of work I did at Castlerigg, in Cumbria with my friend Cheryl, five years ago. That was also to do with opening time, but I did not understand that at the time. (I’ll write about that if i ever find the time!)
Once we had done the three rounds, we stood in the centre of the barrow, where I had put the bottle. The energies of the energy lines we had walked went into the bottle. Chris said that the yellow solar line he was leaving behind him as he walked, looked like a wavy yellow curtain that was higher in come places than others. for him it was like sound waves. It was only when I was replaying the recording that I realised I had been singing quietly to myself as I did my rounds. Did that have an effect on the energies we anchored, I wonder?
Once this work had been completed it was time to focus on the essence. The bottle of water remained in the centre of the barrow while we had done all the walking, so it was already primed with whatever energies we were activating.
I saw a beam of sunlight move down and into the bottle of water and then saw the Brigit cloak laying over the site, following the contours like a layer of emerald green energy. Then I became completely distracted by somebody’s rather clever wind turbine. It was on their house and looked like some kind of vortex. I’m easily distracted! But the layering had happened anyway.
The emerald energy of the cloak acts as both a layering of that energy, holding the site at that frequency. The emerald green, of course is a clue too, as it is the crystalline energy of all growing things, that lovely emerald of trees and plants, the emerald layer of the Mother’s crystalline field. The cloak protects the area, keeping it flowing with energy and under the Goddess’s protection. (For those of you who hold the Brigit cloak/mantle in your energy-field, you too are under her protection and receive her emerald nurturing).
The solar beam was a thin golden thread and it made the sparkles from the stone’s energy, already in the water, even more vibrant, enlivening them. Chris was aware of a vortex-like cone drawing the energy into the bottle, concentrating it. Then we were told to walk around the bottle in a smaller circle, again Chris going in the sunwise direction, and me going in an anti-clockwise direction. It was while we were walking these smaller rounds that I realised we were working with cycles of time. The three larger rounds, around the outside of the barrow, related to the solar year, one round per year. The smaller rounds in the centre represented the moon cycles, lunar months. I still don’t actually know what that means, but to a part of me, it makes some kind of sense.
I was very aware of the significance of doing the rounds in sets of three, however. Six on the outside of the barrow, large circles, (years? Ages) and six inside, shorter ones, like phases of the moon. Three walked by Chris, and three walked by me. I kept thinking: 3.6.9.12. Cycles, years, days, weeks, months. The common denominator was obviously three. Did the three outer rings signify ages? And the smaller inner rings shorter periods of time? I don’t know. But it meant something.
Now the lunar light, from the smaller circles went into the bottle. Solar, and lunar, time. A huge green crystalline dragon appeared then, a translucent sea-green colour, and it put three of its crystalline tears in the essence, straight from his eyes. Crystal teardrops. It felt like a kind of dragon healing, healing sadness, and then Chris reminded me of the tears of the phoenix in Harry Potter and how they healed wounds created by the basilisk. (He loves Harry Potter).
Next three teardrops from the Obsidian dragon also went into the essence, but this time it was about healing really deep grief, things that are so deeply entrenched that they need particular help. Healing the depths, trauma, loss, etc. The harder-to-get-to stuff. Once again, we were struck by the significance of the number Three.
Chris had brought his dowsing rods to dowse how the energies looked in the barrow. They spiraled out from the centre, occasionally becoming smaller vortices, and then continuing. But they spiraled out in a serpentine fashion, the line wavy rather than straight. But this only happened the further out the spiral Chris walked so the serpent line really began close to the edge of the barrow, close to the ditch.
At one point, while I was still standing in the centre of the barrow, my guides suggested I focus on bringing in a stronger solar ray and then to watch what happened. I said nothing to Chris, but did what they suggested. I visualised the strong ray entering the centre of the barrow and saw it radiate out through the lines. Immediately, Chris began to pick up many more vortices in the line he had already dowsed and which had been just a wavy line before I sent the solar light out. It was as though the solar light created a change in the pattern of light travelling through the main spiral. It reminded me of the patterns carved into the stones of Newgrange and Knowth, in Ireland.
This was all we needed to do here, but last year, when my guides told me to bring Chris here they also said we should go to The Running Horse pub at the other end of Littleton. I felt there was something underneath the pub, an energy point or something. It had taken us a year to get to this so we followed last year’s instructions and went for a coffee, and a rather delicious raspberry and rose soft drink! We did not detect anything of an energetic nature but as we were leaving, walking across the carpark, Chris bent to pick something up. It was a large piece of a jigsaw puzzle. When he turned it over it had the number Three printed on it.
I love this work!
If you are interested in the essence you can find it here.
Recently, I was watching a Youtube video about Vikings with my father and the video spoke about Saxon burhs. A burh was a fortified town created by Alfred the Great to protect people against Viking raids in the late 800’s. What struck me immediately was the name: Burh (Alfred’s wife’s name was Osburh. It made me wonder…). Many of these fortified villages were built on existing Iron Age Hillforts, or towns. Both of those things reminded me of Burley Hill, in the New Forest, where we had first encountered the protective aspect of the white dragon.
“The site is within the parish of Burley, whose name may be derived from the Anglo-Saxon bury which means a ‘fortified place” (from Wikipedia). There is also a story: Another folklore legend of Burley is that Burley Beacon, just outside the village which is the supposed location of a dragon’s lair. Several versions of the tale can be told locally about how the dragon’s corpse turned into the hill in Lyndhurst, known as Bolton’s Bench. According to legend, Castle Hill apparently was once the home to a dragon, duly slain by a knight from the nearby village.”
Well, that adds to the information we had previously received. But it made me think about the white dragon energy we had encountered there, and its protective function. If the hillfort had served as a sanctuary, which is what a Burh was, providing sanctuary from viking attack, then the white dragon represents that protective energy.
It was very clear that Burley was a sanctuary, but it felt like that sense of safety went back further than Saxon times. I imagine too that the white dragon, in it’s protective role here in this hillfort, is here because it was originally a sacred site. It played an important role in the area, and the original guardians of the Iron Age hillfort were people of a spiritual nature. Perhaps spiritual warriors.
In recent readings, I have found that protective energy appear too. This aspect of the white dragon acts as protector of the creative white dragon energies. These creative white dragons are often connected to the sea, which represents the human emotional body and the womb of creation. But they also come in from a living person’s higher auric bodies to inspire with energetic creations. These creations are usually ideas and inspiration which benefit humanity. So, it would appear that these white protector dragons are both energetic, and within people. Dragons are not seperate from you, but form very much a part of a creative force within you, which, if you hold that energy, works through you.
There are different levels to these white dragons and how they work through people. Some people can be working through that energy without realising it. But their higher spiritual nature is very much aware. Working conciously with them, the more spiritually developed you are, as a channel for energies, the more the dragon seems to work through you. They ease you into the process, watching to see how you will use the energies they inspire you with. Like every energy, they start small, building your dragon body, which is really the ability to hold that energy in your auric field, and the thoughtforms that accompany them.
Being able to control your own energy means you can eventually hold that energy responsibly. When you are at a point of readiness, to develop whatever dragon energy you are supposed to develop, your dragon mentor/teacher will appear, either energetically or physically. White Dragon masters are masters of their craft. At a certain stage too, you can become a dragon-protector. This means you become a mentor or protector of younger dragon energies and/or dragon sites. It means that your place/home can become a place of sanctuary, and healing, and that your energetic skills can be used to help others to grow.
Guides or mentors can also appear to the inner eye, in meditation or healing, as white dragons carrying a certain crystalline frequency. This is indicated by a crystal at their third eye, which is the colour of the energy they come through with. They inspire you with their teaching or guidance. The colour of the crystal tells you what their work is. For instance, a rose quartz in the dragons’s third eye indicates an emotional healer, a person who helps heal the emotions and the heart. Their appearance, as a dragon, gives you the information as a symbolic energy of the person who holds those qualities. But, equally, as a spiritual guide, they also show you the way towards healing, encouraging and supporting your journey towards wholeness.
In China, there have always been dragon masters, people who have the ability to control the dragon forces and chi (energy) in their bodies. In Daoism, dragons are deified forces of nature. In our work that is also what they are, but we embody those abilities to work with them. The dragon masters work with the energies of nature and the elements, and as you too develop, you develop the ability to work with the elements through your auric field.
The white dragon protectors have learned to use their energy, and their ability to channel these energies, for the good of all. They are servers and able to move the energy within their auric field, and in the world of energy around them. Their inner self knows how to use movement and intent to create change. The protective dragon might only have an idea he is a white dragon protector, unless he has specifically chosen that role, but he wields protective energy nonetheless.
This is the path of the white dragon. To serve and protect … in a real sense.
(So far, I have found the protective aspect to be masculine. I know that sounds stereotypical, but that appears to be the way. That’s not to say it has to be male, the masculine energy can be held by men or women).