Hatshepsut

We drove to Avebury very early so I could be back in time to look after my father. It’s amazing what time you can find for the things that really matter! It had been so long since I had been there that I had forgotten the route so let myself be guided by the GPS. However, I missed the suggested turn off. I remembered that stretch of road but never remembered turning off there so I did not much care. We were headed in the right direction anyway.

This route took us past Silbury hill and as we drove past I was floored by the wall of energy that we moved through. I’ve never experienced anything so powerful. It left me breathless and I decided that we would stop by on our way back home to investigate. But when we got to Avebury, my guides said, ‘do not waste time here’. I wish they’d told me that before we’d gotten out of the car and walked all the way to the Barn.

We drove back to Silbury, parked up, and went as close as we could.

We stood facing the hill and and as we did I saw a group of men standing on the top. They looked like Druid-type men, all dressed in long white linen robes. they stood in a circle, but they were the priests of the past. Standing on the top of the mound, together they were activating, and pulling in, a wide, white channel of energy. Their collective energy was bringing it through, into the top of the hill from the sun and into the mound. But I was aware that there were different templates within the mound and the light channel was activating one particular template. This template was a stag-energy as though the masculine stag energy was what was needed at this time. And yet, the stag energy was like a living energy, a conscious template.

Watching this happen we were conscious of participating in this light activation, the light coming through our hearts as it came down the white channel and into our hearts. On the drive up, we were told to activate our crystal light body, which looks like a crystal pyramid, around the physical body, anchoring us deeply into both earth and sky. Now we understood why. This often happens prior to an energy working but the why of it only becomes apparent later.

Around the entire area around the mound, a ring of red roses appeared, and within the ring of flowers, and around the base of the mound, there was water. The mound was like the Mound of Creation. The Zep Tepi of ancient Egyptian belief. The water around the mound acted as the womb while the mound itself was the masculine energy. This allowed the masculine energy to be brought into the waiting womb, a joined male and female energy of creation and fertility.

While we were connected to this energy as it came into the mound we were told to make the essence. The energies we were connected to, via the mound and with our crystal pyramid light body activated, created the holding energies for the making of this essence. Sunlight, along with the red rose energy of the mother, entered the water in the bottle as I held it in my hands. The water absorbed the atmospheric energies of all that was happening in this ancient ritual, sucking it in like a genie returning to his magic lamp. This was a gift to us. That stag energy, the fertile masculine power of this place , was also absorbed by the water.

The importance of this stag energy was huge. I received the understanding that the people who built these places used buck shoulder blades specifically, because in doing so they were adding that energy to places connected with this masculine virility. Adding that energy to places of fertility.

Next, to my surprise, over the boundary of this site, a bronze age man appeared. He had a big smile on his face and was eager to make contact. ‘Let me give my gift,’ he said, and proceed to place a small stone arrowhead into the essence. He said it as a connection tot he stone and then he places three hawthorn berries and three mistletoe berries, which became the infinity symbol. This was connected to cycles to time, to Autumn and winter.

The essence was to help people accommodate moving deeper into the earth energies if they have previously only been connected to the higher energies. I wish I’d had this when I first plunged from my lovely Ascension journey energies back down to Earth.

At the finish of this transmission, I heard ‘Go in peace’ and then felt a beautiful wave of enveloping love. The love of all the ancestors who kept this place alive, and those who did it in the present.

Chris received information on how the South American cultures did much the same thing as the ancestors here, but they did it with their pyramids. So too did the Egyptians. Cultures around the world bringing the light down to the earth. This was one of the functions in Deir el Bahry, at Hatshepsut’s mortuary temple. It was not simply a place to be buried but where the light was brought in from the upper levels of the three-tiered temple, and then ‘stepped down, by the serpent whose head is the Horus bird – Horus is the medium between heaven and earth – to the lower level of the physical earth. The solar light, as the serpent, is anchored by Horus.

The same process happened at Chichen Itza where the solar serpent descended down the steps to bring light, and fertility, to the land and its people. These activations, and descensions, have been happening for centuries.

We returned to Avebury and stood in the smaller stone circle within the larger one. I remained aware of the crystalline pyramid and the layers that had been anchored. It was as though it was a balancing act between Silbury and Avebury, one feeds the other. When they do the energetic rites at Silbury, the energy is then transported to Avebury by the people who carried out the ritual. Although the two sites are separate and distinct, by the same token, they are a partnership in energy and purpose.

We faced into the sun and then I ran us through a solar activation I had experienced the previous week. This was bringing down a sphere of solar energy that then was anchored in specific chakras, like a row of solar spheres of differing sizes. Once the sphere at the feet was anchored, the light then travelled up behind us to connect with a sphere above the head,at the Soul Star. This charged the chakras with solar light to create solar centres in the body. The beautiful, feminine solar elemental that we had met at the Hospital of St. Cross appeared during this process, tweaking the centres as they activated within us. This felt like a charging of the solar body. I was aware of the Goddess Hathor and then remembered the three energetic chambers in the pyramid activation of last Winter Solstice. Hers was the innermost chamber and we were standing right in it.

Once the flow of energy was established, from the sun to the feet and back up to the Soul Star, the sphere at the feet acted as the sun at our feet so when we walked we walked the sun into the earth, bringing that solar light to the ground. We were given a list of places where we would be bringing this solar light and also the people who would also be doing it, people who had done the third level of the Gaia Method Earthways and who could hold that energy.

We were then gifted with a crystalline energy. A ruby rose was placed in my third eye and a sapphire in Chris’s. This connected us both the same crystalline layer of the Earth’s crystalline body, the Ruby with its sapphire edge. Each person who receives this attunement would receive their own crystalline third eye activation.

Next, we had to marry the Silbury energy with Avebury. A blending of energy between the two sites. Following that, we anchored the crystalline template of Silbury to the pyramid energy we had activated at the Winter solstice here, so now there was a crystal pyramid around the energetic great pyramid. Two levels of energy. The base layer is stone and the crystalline layer was around it.

The energy then changed and I saw a triangle with three interlocked circles on it. This symbol was laid, energetically , on the floor of the pyramid. It was a template and filled the floor space within the energetic pyramid. This was more a Sidhe (fairy) energy. The foundation of the pyramid. It was such a soft subtle feeling. I saw the harp being placed on this symbol and it filled the space sending out sound frequencies into the landscape. The harp was on the Sidhe template because it was their instrument. The sounds transmitted are governed by those elemental ancestral beings. The sounds are also colour frequencies and the Sidhe sounds are transmitted by the harp, out through the pyramid to other places in resonance with it.

The harp began to look like a sun with beams of light and sound being sent out through the pyramid.

Then another instrument was activated. This time the musical pipe, another Sidhe instrument, within the geodesic dome. All within the pyramid. The drum then anchored, like a heartbeat, into the earth. The harp was on the earth, the pipe in the air and the drum beneath the earth, signifying the levels these instruments are used. These Sidhe energies were so gentle, so subtle, we really had to focus on them to perceive them. The template was clear. The triangle portal with the three instruments, or musical spheres. “This is where you can access these instruments.”

Chris was aware of a mirror reflection of the pyramid, beneath the pyramid, creating a diamond Merkaba. The drum was within that mirror reflection, the earth level. I understood then what this work meant. We were, effectively, creating an initiatic space for others to receive the gifts and activations of the Gaia Method Earthways.

One of the places where I have carried out initiations has been in Hatshepsut’s Mortuary Temple at Deir el Bahri. Initiations seem to happen there naturally, perhaps because she was a server of the Goddess and a Priestess working with Earth energies. All of the energywork I have done there over the years tells me how she worked and how powerful she was, not only in a physical sense but in an energetic one. Many people have worked with this temple but here I am explaining it through my own direct experience of working here over the years with the Gaia Method.

This is what I have learned about this temple over the years:

The three layers each represent different levels of human experience.

The bottom level represents physical fertility and power within the Earth plane, the Mother, earthly power as symbolised by the lions, which once flanked the bottom ramp. The carvings along the lower level show you the daily agricultural life in Luxor.

The top level represents the ‘Sky’ or Father, open to the upper dimensional energies,the Sun and water. This is very much like the temples of the S. America’s where both sun and water gods were honoured. Sun and water are what fertilises the plants, which feed us. In this upper court is a geometric field, which is contained by the element of ‘Water’, the Source of Divine Feminine nourishment and knowledge. This is the container of Hatshepsut’s knowledge and energy of the Energy grid in Luxor and beyond. At the Midwinter solstice, the light shines in through the Holy of Holies on this level, then it is channelled, via a serpent energy, down to the earth, bringing fertility and abundance. The carving of a serpent undulates down both sides of the long stairway, from this upper level to the ground level, ending with a Horus Bird, which is the human medium, the son/daughte, able to ‘fly’ between Sky and Earth. It reminds me of the pyramid of Quetzalcoatl in Chitzen Itza where, on the Spring Equinox, the sun creates shadows on the side of the pyramid, making it look like the serpent is undulating down its sides, bringing the Source of life with it to the Earth.

The middle layer represents humanity, living on the earth, beneath the sky and sun. It is the level with the greatest area in front of it, apart from the ground level. From this platform the energy of the Sun can be channelled into the land, showering it with blessings and abundance by the priests and priestesses. This is not simply a ritualised act, for the energies channelled are very real.

On one side of this middle level there is the Chapel of Hathor, the Goddess of feminine abundance. Hathor is often portrayed as a Cow goddess. She brings abundance to mankind through her milk. The cow has been seen as sacred in many cultures around the world because she gives of her body for the benefit of mankind. As a cow, she also represents the overall abundance of Mother earth which is freely given. The Energy of the Ruby is anchored in this chapel via a sacred flame. There is also a direct link from this site to the Obelisk in Karnak temple which radiates the energy out through the upper layers of the earth’s energy field.

On the opposite side of the temple is the chapel of the God of Anubis, guardian to the Underworld. This contains the Emerald energies and is the Masculine counterpart to the Feminine energies. For this reason Hatshepsut’s temple is the ideal place to experience initiation. The balance of male and female is held here in this layer as fertility is created through the combination of male and female energies. It can be no other way. Energies are held in balance both horizontally, through this level, and vertically, through the energy of the three levels of the temple.

Over the years I have joined Hatshepsut’s temple to Karnak, Luxor temple and Medinet Habu, in a landscape temple, which bridges the River Nile. All temples in Luxor were once energetically joined together and yearly the temple priests activated this connection by a sacred procession of the Opet festival. This ensured that fertility was maintained in the landscape and the people were fed.

Queen Hatshepsut.

The sun moves from the upper level of the Sun and Amun, God of Wind, to the lower ‘human’ level, and then through humanity, who, by their physical actions, create the fertility necessary for their survival. The energy is ‘stepped down’ from God/Goddess, to humanity and then to the land. All of the necessary ingredients for survival exist here: Sun, Water, Wind and Earth! A wonderful place indeed.

Next time you visit try tuning into these energies and see what energies Hatshepsut’s wonderful Temple gifts you with.

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