This was an unexpected activation in the grounds of Winchester cathedral. We had been doing so much here over the past year and thought we were done, but no, turns out we weren’t.

We had gone to Kneaded, as usual, and decided to potter for a bit in the Cathedral Grounds. We were not feeling pulled to do anything in particular – until – just as we began to walk towards the Cathedral on the path from the Square, I saw a beam of solar light come in. I saw another one, a blue, like a column that needed to be anchored further along and then the pink column on the other side of the green. We were being instructed to create a triangle between the three. A portal energy.

From the solar/yellow pillar we walked a yellow line to the next blue pillar. From there, we walked a blue line to the pink column, and then returned to the yellow one, creating a pink line. The portal was now made up of three frequencies. Looking at the photo above, I see that the portal is over the cross-roads of the paths. That must mean something.

Once the triangle was complete, we were instructed to stand in the centre of it, which is where the paths cross. A large white feather appeared in the triangle, nearly filling the shape. The triangle was now three-dimensional, like a low pyramid. (We had created a pyramid energy recently in Avebury too).

In the same space as the white feather, a white column descended and a white flame ignited where it stood, in the centre of the pyramid, held by the three-fold energies of the pink, blue and gold/yellow pillars. Each of these energies work on different levels, but exist in the same space.

I reached up and brought down another energy. To my surprise it was a ladder! Like Jacob’s Ladder. It was about moving up levels, like an initiatic portal. An Ascension energy. In doing this, we had opened a channel of energy which anyone can access. Standing in the centre of this triangle, for anyone visiting Winchester, will move your frequency into ascension levels.

The space within the pyramid was now filled with a huge harp, whose sound frequencies were connected to the cathedral itself. It was connected to the sounds of nature; Elemental sounds. We were then shown a clear wine bottle. Both of us saw that. We realised, after a while, that it was one of the essences we had made and we needed to bring that here. Which would have to be on another day. We were told to bring a libation to this point. It was the White Dragon of Burley essence we had made in the New Forest.

As we didn’t have that essence with us we had to come back the following week.

Back in the grounds, with the essence, and holding the energy of the previous working, we continued. A Hathor energy came in. Chris was aware of a spiral energy, like a gold vortex. I poured some of the Burly Essence on the ground at the centre of the triangle/pyramid and we were then instructed to go into the Cathedral. The triangle needed to be connected to a point within it.

At the back of the Cathedral, where the Triple flame is anchored, we connected the white flame of the triangle/pyramid along with the white column, the white feather and the White Dragon. This acted as a balance between both points. When Nadia and I did the yellow column-anchoring on the south side of the cathedral, we were creating a balance between the masculine energies and the feminine. Now, with this white portal, the balance was creating a triad of energies between the DF (Divine Feminine) and DM (Divine Masculine) the Light of Ascension, the upper spiritual levels. Anybody who goes and stands in this pyramid and asks for the energies they need will be given exactly that.

We were told to go to the crypt next and call the serpent energies. The crypt holds the water energies, symbolised by the blue serpent. Here, the Hathor energies came in. Back in October 24, during a visit by Malia (who went through a week of initiations) we had also stood in the crypt. On that visit, the crypt was filled with the energy of a large blue female serpent who filled the space. She came right up to us and planted a mass of tiny serpents in our Centres (behind the navel). This was my first up-close experience of the blue serpent in this way; she usually lives in the water layer below the cathedral and I only ever see in her in the well in the crypt. It had been raining all year and the water table was high, so I Imagine this is why she had come.

I have been holding the baby serpents in my belly for months, knowing they would be used at some point, but not knowing when. Some of Malia’s ended up at the White Spring in Glastonbury. Shortly after this there was a big storm and we wondered if that is why this serpent mother had appeared when she did, so huge and powerful. Now, back in the crypt, some of these baby serpents were going back in. We have had little rain since winter, (this work was carried out after two months of little rain) so I imagine this is why they were going back. But not all of them, only two or three. The rest remain with me, held in my body as energy of a particular frequency. The serpent babies were both blue and green, water and vegetation. Returning the balance.

I then became aware of the pond at St Cross and it was saying to me about the balance of water and growing things. The green Dragon – that is the Cathedral – made its presence felt too. The green dragon is the energy of all living green things and because it resides, energetically within the cathedral, it changes the frequency of the stone building to make it resonate with nature’s energy. There is crystal in the stone of the cathedral, and crystal holds the memory of creation, along with the forces which originally formed the stone, so it is important that the building itself is in resonance with nature so that what is outside is also inside. Often, in buildings which do not resonate, there is a distinct difference in the feeling of being inside a building and being outside. The building materials cut off the connection to nature. It has something to do with the effect on the earth’s magnetic field. Human habitation sites become more magnetic over time, weirdly.

When I was doing archaeological field surveys we used a magnetometer. Before doing the survey we had to calibrate the instrument with the earth’s magnetic field. Then, with that as its baseline, any underground pits, buildings, ditches etc would show up as different to the magnetic field. Fired brick was often more magnetic due to iron inclusions in the fabric of the pot. Since knowing that, it explained why coming back into an urban area after being in nature for a while was so disorienting. When working with the natural forces, we are aligned to the earth’s magnetic field. But urban areas are not. Working with the green dragons seems to change that, naturalising the building materials, but so far I have only seen that happen with natural stone.

The things we don’t realise…

I have added an image from Google Earth to show you where the sites are, should you want to visit. Looking at the sites from an aerial perspective shows an alignment between the activated sites (if you ignore the green dragon icon which takes in the whole cathedral). On either end of that alignment there is a tree. Make of that what you will.