Return to Flowerdown Disc Barrow

Chris and I went up to Flowerdown Barrow, Littleton, today to do some energywork, and to make an essence. Chris brought his dowsing rods so we could check out the energies of the barrow once we were finished the work we had to do. As usual, we never know what it going to happen, but this visit was very interesting. Many years ago, on our first ever visit to this barrow, I received channelling that said this barrow was one of the most important sacred sites in the area, a place where people came, annually, to celebrate and hold sacred ceremony. It held the balance of the grid, providing much needed fertility to the area and distributing the cosmic energies into the energy-lines in the earth.

We stopped first at the remains of a large sarson menhir, which came originally for a field a kilometer away, in Dean Down Drove. Again this was originally part of the sacred landscape and would have been used as an anchor for the above-mentioned energies. It has some interesting features and sparkles with tiny crystals, which, it was impossible to capture.


I placed the bottle on the stone and Chris was ‘told’ to walk around the stone three times, in a sunwise direction. Yet, he felt that this stone was more lunar than solar and still it needed to be anticlockwise, in the direction of the sun’s movement, which is the masculine-opening direction. When he had finished, he saw that sparkles of lunar-light were rising up from the stone in a wave-like pattern, but again they were linked to the moon. He was aware of a lunar goddess, but with an Egyptian flavour, and she was dressed in a lilac-blue dress. She was related to the Full Moon. This is the preliminary energy that went into the essence bottle. More happened later in the main disc barrow.

(Side note: When we are doing earthwork, when doing it with other people, we can often see images of people, just as Chris did with this Egyptian lunar goddess. Sometimes, these ‘people’ represent real people and the energies they are bringing or working with. As soon as Chris mentioned the Lunar feminine, I knew he was seeing a part of me and the energy I am bringing to this work, in this moment. It became clearer when we began working on the disc barrow. Sometimes, people will appear to Chris and I know who they are because I have just given them a particular energy which Chris is picking up on, as will become clear in the next blog. Once, when we were working in Hook, in Co. Wexford, I was doing the energy work on the shore and Chris reported seeing a druid with his arms raised to the sea calling the energy, which is what I was doing. But I was not speaking, so Chris had no idea, thinking he was seeing a spirit person, or guardian, doing the work. The more you work with energy, in these dimensions, the more you begin to recognise another person’s energy as different to the true spirit guardian of a place. The guise you are seen in holds information however. In that case, I was working as the druids worked, calling in the elemental and the waves. At the barrow, I was obviously utilising energy from my Egyptian training with the moon, even though I have no conscious memory of that).

Back to today: When Chris walked around the stone, clockwise, on the third round he suddenly felt a shift that made him feel dizzy. (I had the same experience on our next visit, having done the same). He had shifted energetically to be in tune with the necessary energy level of the site. His feeling was that this stone was connected to lunar cycles and ceremony, which would explain why we never experienced energy from this stone before. it was active only at certain times, as if it released energy only at those times.

This lovely sparkly lunar energy went into the bottle, which I had placed on the stone and then an apple went in to. Apples represent the knowledge of the Divine Feminine. This part of the process was finished so we proceeded to the main barrow only having to walk once anticlockwise around the smaller one which lay between the Sarsen stone and the disc barrow. As we walked towards the smaller one, we were both aware of feeling the stone’s original position in the farm where it was taken from, half a kilometer away. It had been a satellite stone but removed by the farmer to the museum in Winchester and then placed here at the barrows. It was as if the stone had left an energy memory in its original position and was letting us connect to that.

Flowerdown Disc Barrow.

Standing on the outer bank of the barrow, I was instructed to place the essence in the centre of the barrow itself. Next, we were told that Chris had to walk sunwise, the masculine solar direction, around the barrow bank. While I had to walk anticlockwise in the feminine direction. Three times we had to walk, Chris walking a sunline and me walking a lunar line. These looked like a band of yellow light, and a band of white light, each flowing in the opposite direction. We each did three rounds, at the same time, meeting at the same point each time. It reminded me of work I did at Castlerigg, in Cumbria with my friend Cheryl, five years ago. That was also to do with opening time, but I did not understand that at the time. (I’ll write about that if i ever find the time!)

Once we had done the three rounds, we stood in the centre of the barrow, where I had put the bottle. The energies of the energy lines we had walked went into the bottle. Chris said that the yellow solar line he was leaving behind him as he walked, looked like a wavy yellow curtain that was higher in come places than others. for him it was like sound waves. It was only when I was replaying the recording that I realised I had been singing quietly to myself as I did my rounds. Did that have an effect on the energies we anchored, I wonder?

Once this work had been completed it was time to focus on the essence. The bottle of water remained in the centre of the barrow while we had done all the walking, so it was already primed with whatever energies we were activating.

I saw a beam of sunlight move down and into the bottle of water and then saw the Brigit cloak laying over the site, following the contours like a layer of emerald green energy. Then I became completely distracted by somebody’s rather clever wind turbine. It was on their house and looked like some kind of vortex. I’m easily distracted! But the layering had happened anyway.

The emerald energy of the cloak acts as both a layering of that energy, holding the site at that frequency. The emerald green, of course is a clue too, as it is the crystalline energy of all growing things, that lovely emerald of trees and plants, the emerald layer of the Mother’s crystalline field. The cloak protects the area, keeping it flowing with energy and under the Goddess’s protection. (For those of you who hold the Brigit cloak/mantle in your energy-field, you too are under her protection and receive her emerald nurturing).

The solar beam was a thin golden thread and it made the sparkles from the stone’s energy, already in the water, even more vibrant, enlivening them. Chris was aware of a vortex-like cone drawing the energy into the bottle, concentrating it. Then we were told to walk around the bottle in a smaller circle, again Chris going in the sunwise direction, and me going in an anti-clockwise direction. It was while we were walking these smaller rounds that I realised we were working with cycles of time. The three larger rounds, around the outside of the barrow, related to the solar year, one round per year. The smaller rounds in the centre represented the moon cycles, lunar months. I still don’t actually know what that means, but to a part of me, it makes some kind of sense.

I was very aware of the significance of doing the rounds in sets of three, however. Six on the outside of the barrow, large circles, (years? Ages) and six inside, shorter ones, like phases of the moon. Three walked by Chris, and three walked by me. I kept thinking: 3.6.9.12. Cycles, years, days, weeks, months. The common denominator was obviously three. Did the three outer rings signify ages? And the smaller inner rings shorter periods of time? I don’t know. But it meant something.

Now the lunar light, from the smaller circles went into the bottle. Solar, and lunar, time. A huge green crystalline dragon appeared then, a translucent sea-green colour, and it put three of its crystalline tears in the essence, straight from his eyes. Crystal teardrops. It felt like a kind of dragon healing, healing sadness, and then Chris reminded me of the tears of the phoenix in Harry Potter and how they healed wounds created by the basilisk. (He loves Harry Potter).

Next three teardrops from the Obsidian dragon also went into the essence, but this time it was about healing really deep grief, things that are so deeply entrenched that they need particular help. Healing the depths, trauma, loss, etc. The harder-to-get-to stuff. Once again, we were struck by the significance of the number Three.

Chris had brought his dowsing rods to dowse how the energies looked in the barrow. They spiraled out from the centre, occasionally becoming smaller vortices, and then continuing. But they spiraled out in a serpentine fashion, the line wavy rather than straight. But this only happened the further out the spiral Chris walked so the serpent line really began close to the edge of the barrow, close to the ditch.

At one point, while I was still standing in the centre of the barrow, my guides suggested I focus on bringing in a stronger solar ray and then to watch what happened. I said nothing to Chris, but did what they suggested. I visualised the strong ray entering the centre of the barrow and saw it radiate out through the lines. Immediately, Chris began to pick up many more vortices in the line he had already dowsed and which had been just a wavy line before I sent the solar light out. It was as though the solar light created a change in the pattern of light travelling through the main spiral. It reminded me of the patterns carved into the stones of Newgrange and Knowth, in Ireland.

This was all we needed to do here, but last year, when my guides told me to bring Chris here they also said we should go to The Running Horse pub at the other end of Littleton. I felt there was something underneath the pub, an energy point or something. It had taken us a year to get to this so we followed last year’s instructions and went for a coffee, and a rather delicious raspberry and rose soft drink! We did not detect anything of an energetic nature but as we were leaving, walking across the carpark, Chris bent to pick something up. It was a large piece of a jigsaw puzzle. When he turned it over it had the number Three printed on it.

I love this work!

If you are interested in the essence you can find it here.

Green Dragons from the River Test.

Around fifteen years ago, we visited Ashe church, near Overton, in Hampshire, looking for the source of the River Test. We were doing it out of interest, rather than anything else, because at that time, I was studying archaeology and interested in the little Saxon church there.

Source of the River Test.

Nothing much happened on the first visit, because the source of the river rose on land that was not public, so we could only see it from a distance. On a subsequent visit, however, we met the owner, and he gave us permission to go through his field so we could be beside it.

Sitting on the island of vegetation in the middle of a little lake created by the spring, there was a large green dragon. We were both aware of it, my friend Chris and I, but it wasn’t there alone. Its babies surrounded it; little green dragonlets playing on the island.

St. Nectan’s Waterfall.

We had never seen dragon-babies before and had no idea what they were meant to represent. We had, however, met with the green-dragon-energies before on our travels, in St. Nectan’s waterfall, where the water gushes through a slate hole, carved out by the waters of the river Trevillet. The Trevillet rises as a spring not so far away from the site, and its influence stretches from its source to the sea, where Tintagel Castle stands. It travels via the river, until it pours through the slate hole at St. Nectan’s, and then moves overland to the castle. Its tail is at the source of the river; its head at the castle.

(After first connecting to the Dragon energies here, we found a little book about it! Energies come through the subconscious, so this author was aware, without realising it perhaps, of its energy).

You can buy this online.

So, here we were, looking at a mother dragon, and her little ones, with no idea what to do next. We didn’t know what they were for, either. Although we knew they were associated with springs, we knew nothing more. We left, still none the wiser, and returned to Winchester where we visited the three sarsen stones in the Abbey Grounds, near King Alfred’s statue. While I was walking across the grass, I noticed a green baby dragon hanging onto my calf, like a toddler. This was so ridiculous I was afraid to say it out loud, so I kept it to myself. It was too much like a children’s story but, of course, it really only meant that I had somehow carried a portion of this green dragon energy with me when I left the Test spring.

Three sarsen stones, Abbey Gardens. Winchester.

Our minds create images of energies we can accept, on some level, otherwise, they are nebulous and we do not understand their purpose or function. The unconscious knows how we process information, and how we learn about symbols, so it presents information in a way that makes sense.

But I was keeping my mouth shut, anyway.

Back in the Abbey gardens, with a baby dragon hanging out of me, I got the feeling that we needed to go to the Cathedral, and as soon as we set foot in the door, the baby let go of my leg and leapt up the stonework of the building to the roof, where it remained. I still didn’t understand why it was there and wondered if it had anything to do with the blue energy-line that runs beneath the Cathedral. Only on later visits did I understand more.

After I left the dragon baby at the Cathedral, ‘they’ then instructed me to visit the Bishop’s Place, which was close by. Another baby dragon energy left my leg and flew to the top of one wall, where it too remained.

Bishop’s Palace, Winchester.

I never told anyone, except Eartha (who knows about this stuff), and Chris, until two friends, visiting the Cathedral, and palace, separately, and on separate occasions, told me they had seen a young green dragon-energy flying around the ceiling of the Cathedral and around the inside of the bishop’s palace! They had grown since I had left them there, and now that they had seen them too, I didn’t feel so crazy and could share how they got there.

Over the years, the dragons have grown, and other people have reported back to me about their presence. It is always such good confirmation and worth not telling anyone until getting that. When other people see what you see, you realise you are perfectly sane and rational, no matter how things appear to the contrary.

As my guides say: “Green dragon energy creates an environment of growth and potential. Where the spring rises, there is the promise of life.” Pretty succinct and pretty clear. Because this is dragon energy, which is elemental, that new life comes as vegetation; the food which feeds us, and all creatures that exist on the planet, including the planet herself.

Those two green dragons were anchored there nearly fifteen years ago, and we have watched them grow since then. However, we were not prepared for our last visit there, the day after Queen Elizabeth died.

My friend, Chris, and I were walking towards the Cathedral after a brief pitstop in Chococo’s to get a hot chocolate, and as we reached the graveyard, I became aware of a huge energy surrounding the building. It felt elemental but as we got nearer; I saw that the green dragon energy that we had planted there had now grown to encompass the entire cathedral. The physical Cathedral was now inside the dragon energy, and not vice versa.  

Winchester cathedral Dragon Energy.

We went into the building and walked along the central aisle to the centre point (there are three points along the aisle: the Head, Heart and Hara centre). As we proceeded, we were aware that we were inside the dragon’s body. I was instructed to stand on the Hara point, which in the physical body, equates to the centre behind your navel. This point connected to the Hara line of the Dragon’s body too. I felt the connection, but nothing else happened, so we pottered off to the little prayer chapel. I wanted to go to the main altar but the back of the cathedral was cut off to visitors.

After pottering around, I felt drawn back to the dragon-centre point again and this time, as I took my place there, a green column from the dragon’s Hara-centre, descended around me. When it reached the floor, it filled up with the green of the dragon’s energy, like green fluid, filling all the way up. When it was filled, ivy began to grow at my feet, spiralling upward, around the green column until it reached the point where the column emerged from the dragon’s body. There was a feeling of something being reciprocated here, but I didn’t understand what that might be. It could be because we had anchored this dragon here in the first place and I was being given this gift of ‘greenness’ in return. I don’t know. There are many gifts we are given in return for our service and this was one of them, and although I do not know what it is for, I’m sure I’ll soon find out.

So, if you are visiting Winchester Cathedral, tune into the green dragon there, and see what happens. You might be surprised, and she might have something for you to do too.