I know the Elven Realm as the Sidhe ( because I’m Irish). For me, they are the consciousnesses of the early peoples, the ancestors of this part of the world. However, these Elemental energies exist all over the world. They are not known as the Sidhe in other places, because each culture has its own history and its own ancestral wisdom. You might connect with them as elvish beings, spirit beings connected to nature, and nature energies themselves. They appear in whatever cultural ‘clothes’ you recognise. Yet, they are the guardians of Nature, those entities that guide the land and take care of its growth.
Recently, they have been prodding me to to offer an attunement to them which you can do whether you do the Gaia Method Earthways or not. They want people to work with them, to attune themselves to the fairy realm, or the realms of the Elementals, so we can take care of the world and work in harmony with their consciousness.
They also offer healing, which is a magical experience, to help your body resonate with the energies of nature. Taking care of the physical body, and becoming aware of its needs, is the natural outcome of this healing. Our body is made of the same ‘stuff’ as nature and so receiving healing in this way helps our bodies adjust to the frequency of nature.
We all have an elemental body, which is the energy consciousness of the physical body, and when you receive healing or an attunement from them, this is what is attuned. It is a fascinating process. I guide you to their realm and, within a beautiful place, my Elemental guide attunes your elemental body to their frequency. Your animal helpers might participate, or if you work with crystalline consciousness, they too may turn up. For everyone it is different.
You may also receive guidance about your particular work with the Nature spirits and receive gifts that will help you in that work.
As usual you will receive a recording and the crystal layout I use to connect with them. Other energies may come in along with these sessions so I will send on the information with the recording if that happens.
We drove to Avebury very early so I could be back in time to look after my father. It’s amazing what time you can find for the things that really matter! It had been so long since I had been there that I had forgotten the route so let myself be guided by the GPS. However, I missed the suggested turn off. I remembered that stretch of road but never remembered turning off there so I did not much care. We were headed in the right direction anyway.
This route took us past Silbury hill and as we drove past I was floored by the wall of energy that we moved through. I’ve never experienced anything so powerful. It left me breathless and I decided that we would stop by on our way back home to investigate. But when we got to Avebury, my guides said, ‘do not waste time here’. I wish they’d told me that before we’d gotten out of the car and walked all the way to the Barn.
We drove back to Silbury, parked up, and went as close as we could.
We stood facing the hill and and as we did I saw a group of men standing on the top. They looked like Druid-type men, all dressed in long white linen robes. they stood in a circle, but they were the priests of the past. Standing on the top of the mound, together they were activating, and pulling in, a wide, white channel of energy. Their collective energy was bringing it through, into the top of the hill from the sun and into the mound. But I was aware that there were different templates within the mound and the light channel was activating one particular template. This template was a stag-energy as though the masculine stag energy was what was needed at this time. And yet, the stag energy was like a living energy, a conscious template.
Watching this happen we were conscious of participating in this light activation, the light coming through our hearts as it came down the white channel and into our hearts. On the drive up, we were told to activate our crystal light body, which looks like a crystal pyramid, around the physical body, anchoring us deeply into both earth and sky. Now we understood why. This often happens prior to an energy working but the why of it only becomes apparent later.
Around the entire area around the mound, a ring of red roses appeared, and within the ring of flowers, and around the base of the mound, there was water. The mound was like the Mound of Creation. The Zep Tepi of ancient Egyptian belief. The water around the mound acted as the womb while the mound itself was the masculine energy. This allowed the masculine energy to be brought into the waiting womb, a joined male and female energy of creation and fertility.
While we were connected to this energy as it came into the mound we were told to make the essence. The energies we were connected to, via the mound and with our crystal pyramid light body activated, created the holding energies for the making of this essence. Sunlight, along with the red rose energy of the mother, entered the water in the bottle as I held it in my hands. The water absorbed the atmospheric energies of all that was happening in this ancient ritual, sucking it in like a genie returning to his magic lamp. This was a gift to us. That stag energy, the fertile masculine power of this place , was also absorbed by the water.
The importance of this stag energy was huge. I received the understanding that the people who built these places used buck shoulder blades specifically, because in doing so they were adding that energy to places connected with this masculine virility. Adding that energy to places of fertility.
Next, to my surprise, over the boundary of this site, a bronze age man appeared. He had a big smile on his face and was eager to make contact. ‘Let me give my gift,’ he said, and proceed to place a small stone arrowhead into the essence. He said it as a connection tot he stone and then he places three hawthorn berries and three mistletoe berries, which became the infinity symbol. This was connected to cycles to time, to Autumn and winter.
The essence was to help people accommodate moving deeper into the earth energies if they have previously only been connected to the higher energies. I wish I’d had this when I first plunged from my lovely Ascension journey energies back down to Earth.
At the finish of this transmission, I heard ‘Go in peace’ and then felt a beautiful wave of enveloping love. The love of all the ancestors who kept this place alive, and those who did it in the present.
Chris received information on how the South American cultures did much the same thing as the ancestors here, but they did it with their pyramids. So too did the Egyptians. Cultures around the world bringing the light down to the earth. This was one of the functions in Deir el Bahry, at Hatshepsut’s mortuary temple. It was not simply a place to be buried but where the light was brought in from the upper levels of the three-tiered temple, and then ‘stepped down, by the serpent whose head is the Horus bird – Horus is the medium between heaven and earth – to the lower level of the physical earth. The solar light, as the serpent, is anchored by Horus.
The same process happened at Chichen Itza where the solar serpent descended down the steps to bring light, and fertility, to the land and its people. These activations, and descensions, have been happening for centuries.
We returned to Avebury and stood in the smaller stone circle within the larger one. I remained aware of the crystalline pyramid and the layers that had been anchored. It was as though it was a balancing act between Silbury and Avebury, one feeds the other. When they do the energetic rites at Silbury, the energy is then transported to Avebury by the people who carried out the ritual. Although the two sites are separate and distinct, by the same token, they are a partnership in energy and purpose.
We faced into the sun and then I ran us through a solar activation I had experienced the previous week. This was bringing down a sphere of solar energy that then was anchored in specific chakras, like a row of solar spheres of differing sizes. Once the sphere at the feet was anchored, the light then travelled up behind us to connect with a sphere above the head,at the Soul Star. This charged the chakras with solar light to create solar centres in the body. The beautiful, feminine solar elemental that we had met at the Hospital of St. Cross appeared during this process, tweaking the centres as they activated within us. This felt like a charging of the solar body. I was aware of the Goddess Hathor and then remembered the three energetic chambers in the pyramid activation of last Winter Solstice. Hers was the innermost chamber and we were standing right in it.
Once the flow of energy was established, from the sun to the feet and back up to the Soul Star, the sphere at the feet acted as the sun at our feet so when we walked we walked the sun into the earth, bringing that solar light to the ground. We were given a list of places where we would be bringing this solar light and also the people who would also be doing it, people who had done the third level of the Gaia Method Earthways and who could hold that energy.
We were then gifted with a crystalline energy. A ruby rose was placed in my third eye and a sapphire in Chris’s. This connected us both the same crystalline layer of the Earth’s crystalline body, the Ruby with its sapphire edge. Each person who receives this attunement would receive their own crystalline third eye activation.
Next, we had to marry the Silbury energy with Avebury. A blending of energy between the two sites. Following that, we anchored the crystalline template of Silbury to the pyramid energy we had activated at the Winter solstice here, so now there was a crystal pyramid around the energetic great pyramid. Two levels of energy. The base layer is stone and the crystalline layer was around it.
The energy then changed and I saw a triangle with three interlocked circles on it. This symbol was laid, energetically , on the floor of the pyramid. It was a template and filled the floor space within the energetic pyramid. This was more a Sidhe (fairy) energy. The foundation of the pyramid. It was such a soft subtle feeling. I saw the harp being placed on this symbol and it filled the space sending out sound frequencies into the landscape. The harp was on the Sidhe template because it was their instrument. The sounds transmitted are governed by those elemental ancestral beings. The sounds are also colour frequencies and the Sidhe sounds are transmitted by the harp, out through the pyramid to other places in resonance with it.
The harp began to look like a sun with beams of light and sound being sent out through the pyramid.
Then another instrument was activated. This time the musical pipe, another Sidhe instrument, within the geodesic dome. All within the pyramid. The drum then anchored, like a heartbeat, into the earth. The harp was on the earth, the pipe in the air and the drum beneath the earth, signifying the levels these instruments are used. These Sidhe energies were so gentle, so subtle, we really had to focus on them to perceive them. The template was clear. The triangle portal with the three instruments, or musical spheres. “This is where you can access these instruments.”
Chris was aware of a mirror reflection of the pyramid, beneath the pyramid, creating a diamond Merkaba. The drum was within that mirror reflection, the earth level. I understood then what this work meant. We were, effectively, creating an initiatic space for others to receive the gifts and activations of the Gaia Method Earthways.
Free Postage and Packing within the UK. Prices for other countries email me and I can send you a request for payment from Paypal, OR, use the donations box on the side bar if you are on a PC or at the bottom of the page on your mobile. Just add the postage to the price of the bottles, and email me your snail mail address, and which bottles you want. You can find the prices for postage beneath the essences on this page.
The Faery Gifts.
Created at Aire Falls in Cumbria, this essence was gifted by the Guardian of the waterfall. She was a transparent pastel rainbow glow which peered out from the water. In the bottle, she placed three black stones: the wisdom of the rocks that made up this ancient place; a key, to open the Faery Way. Next, an elemental spark of light was placed in the bottle and she breathed three of her breaths into it. Her rainbow Energy.
This opens up the elemental knowledge held in a place. The stones are often a key in themselves, opening up an initiatic path. The energy is light, joyful and playful, so even when doing deep healing work, you can remain positive, light and optimistic.
£11.99
The Pearl of Sidhe Wisdom
This aligns you to the energy and consciousness of the Sidhe, the energetic Beings who were once the ancestors of the British Isles and Ireland. The essence contains their accumulated wisdom along with the essence of tree wisdom in the form of amber light, the ancient wisdom of trees as they extend back to the dawn of time. Another gift was a stone arrowhead, known in Ireland as a ‘Faery dart’, which is the wisdom of the people who worked with stone.
Lastly, it combines all these layers with the white Dragon vortex; the connection to the inspiration of the dragon realms of nature.
Further to the four gifts of the Tuatha de Danann, there are three musical instruments. The Harp, the Pipe and the Drum. Later, once you become experienced working in the Sidhe sphere, you will be given a calling horn. The horn is a decorated cow’s horn that calls the Sidhe to you. This is only given after you have worked with the three musical instruments for some time and have enough experience working with the Sidhe and their sacred spaces.
The three gifts are associated with the three worlds, or levels of creations. The pipe relates to air (as noted by a gifted GME healer), and the sky. It is aligned to the mental body of the collective unconscious and how it relates to nature. The harp relates to the middle world of plants and vegetation, the world we live on and which we experience physically and emotionally; the drum relates to the earth beneath our feet, and which resounds deeply to the rhythms of the centre of the planet, and ourselves.
You can receive these gifts at any point, sometimes all together, and sometimes as a single instrument. Each instrument has its own energetic function, some more obvious than others. I will start with the one that had the biggest impact, for me, in terms of how it is used. This is the Flute/Pipe. I first received this gift at Wistman’s Wood, in Cornwall, and this is the communication I received while sitting on a moss-covered rock in the woods on the 23rd September 2005.
“We welcome you to our realm. We are the Faery host collectively known as the ‘Shining Ones’. We have brought you here today to partake of our energies and knowledge. The trees you sit beneath are our kin and they share their existence with you. Humanity does not acknowledge the gifts which the trees bring to your world. We offer you a potion, made of wild red berries and white, dipped in honey and made into a magical drink. Henceforth you will be known to us by the name of Deirdre, for you carry the knowledge of the wildwoods and the Faery places.
Bring only those who are attuned to our energies, as many do not understand our work, seeing us as merely a race of mythical beings. However, we do exist and it is through us that your world has continued to live, even though your people work against us. Bring back the awareness of this symbiotic relationship and do your best to accommodate our teachings and practices. This is achievable and workable. We leave you now to continue your heartfelt journey. Drink the potion and endeavour to live a good life, in harmony with nature.
Farewell sister. We have a gift for you to take to humanity, the gift of the silver flute. You will know how and when to use it.
The Pipe is used to create to places of sanctuary, and nature and shortly after, I learned what it was for. I went to New York. My guides had told me to go and that I had work to do at the World Trade Centre site. This work turned out not to be what I expected. While I sat in the little church across from the site, I tuned in and immediately saw a geodesic dome form around the entire site. I saw the pipe and the symbols of musical notes floating towards it and as each note hit one of the polygonal facets it lit up and changed colour. Soon there was a pattern of coloured facets and I saw the inside of the dome becoming like a garden of Eden, filled with greenery; a healing place. At the time, I thought, ‘Well, that’s never going to happen’, because I thought they would simply rebuild over the site.
I forgot all about it. A few years later, my friend Cheryl told me, without realising, that they had created a memorial garden there. I could not believe it. It reminded me of the potency and power of these wonderful energies and what can be achieved when we carry these energies and allow them to work through us, doing what is needed. It also taught me that my mind does not always know and that sometimes miracles do happen.
The Harp is the one I use the most. Not out of conscious choice, but from the elemental needs of the moment. I have written about some of the uses of this instrument on another page so will cover its earthwork uses here. When there is a particular need for the frequencies of the harp, you will be asked to choose which coloured string you want to work with. The string will indicate the energies you are going to anchor in the landscape. Again, it is your higher consciousness that chooses because we, as personalities, have no clue what any of it means, half the time.
For the first four years of my time back in the UK, from 2020 to 2024, I have been working with the red string. This involved laying a line of red light, which looked like a red ribbon, along the South coast from Worthing to Bournemouth. Chris and I did this in increments, anchoring the first part of the line/cord in Worthing by attaching it to twin Hathor pillars and then on subsequent visits, anchoring another part, along the next part of the coast and on until we reached Bournemouth, which I did with my daughter Hana. Often the red strings/ribbons were anchored around a pillar, so that it looked like a barber’s pole. This symbolises healing. The surgeons of medieval England, in their tents beside a battlefield, wrapped a bloodied rag around a white pole as a sign to others that ‘in this tent there is a surgeon’. They were known as Barber-surgeons because they fulfilled both roles.
So on that stretch of the south coast there is an energetic signal that declares to a world in pain that healing is available here. Hathor is the Goddess of Love and her priestesses used sound as a way to connect to the Divine, so this makes sense when a string from the harp is used to heal others.
The pillars and poles along the coast were of varying height and width, each composed of a different energetic function. We don’t always know why we are doing what we are doing, but we trust the process, knowing that someone does.
We anchored four poles in Worthing, each one of a different energy.
In laying these lines we are creating healing sanctuaries along the coast, a place of safety for others. I did the same by the Red Sea from Makadi Bay to El Gouna. With what is happening now in the Middle East, this makes sense, providing protection and healing for the energy lines we anchored through Egypt and providing a barrier to those energies.
The harp also sends lines of light/sound through the lines of force which make up the spider energies, healing that which has been charged and released.
The drum has not shown up so often but when it does it is interesting. A Sidhe Being shows up with this and shows us how to beat the drum and how many times. It is energetic, but we see it happening. The resonance goes into the earth, deep into the layers of geological time, into caverns and caves. Back into a time when other evolutionary people lived. The sound travels into the past, to when grains of sand were once mighty mountains. Where memories of those ancient times can be retrieved for the benefit of us here – now. It reminds me of the LOTR and ‘drums in the deep’.
The drum helps us to communicate with the ancient past and the beings who lived in it. The earth has things to teach us about how those ancient people lived and how they stabilised their world after upheavals and earthquakes. Those memories remain in the earth, and can be shaken out by this instrument. Knowledge we can use in our present time is available when we know how to use the drum. In using it, we are utilising vibrational information, just as our human ancestors used drums to send messages and to tell stories.
In working with the drum, you are also working with the chakra points those ancient people once worked with, and which now lie buried deep in the earth. Sometimes, you can access these chakra points, or vortices, in caves or caverns and you will feel it as you pass through. But, often these vortices are deep in the rock and are inaccessible, but with the drum they become accessible. The drum allows to connect with the deep earth vortices and to work with them on that level. The instrument acts as a guide to those places so it is not something you are even conscious of. It simply happens.
The last gift is one that is given when you are ready to work with the Sidhe – at that level – and you will not know you are ready until they tell you. The reason for that is because the horn is the instrument that calls them, that gathers them together and which calls others to receive the attunements when they are ready to receive them.
Once you have received this gift, it is your consciousness that calls to them. It also shows the secretive Sidhe that you are one of them, and they will work closely with you, when you vist one of their places. They will know you have passed the tests they set for you, and that you are capable of working with them on behalf of both their consciousness, and that of the planet’s. They see into your heart, seeing your intention, and they gift their instruments when they see you are ready for them and that you have the necessary sense of service and trust to use them wisely.
Sometimes these gifts are given singly in an attunement, and at other times, they are all given together, especially if you are at a faery site. But when you have them all in your auric field, they work as and when they need to. You are the witness to it all and yet you have to be physically present for the gifts to be worked. They are in your field, and your Higher Self, (your faery self), will activate them when they are needed.
The following was channelled in 2015 when I wanted to know who the Sidhe really were. I had been working with them for years, and knew them as a reclusive, faery-like race of beings. Yet, they were generous, and in many of their special places, they gave me gifts to help me, and others, do the necessary energetic work. Yet, at certain times, they tested our commitment as to whether we could conquer our fears enough to meet them in their sacred places. If we see only negative energy where they reside, we are not ready. If we see only a dark history and are afraid of the energy we feel, we are not ready. If we allow the fear of that darkness to turn us away, we are not ready. We must see the darkness for what it is, see through it, recognising it as purely a thoughtform and therefore not really real. When we can do that, we are ready.
The story they tell spans thousands of years, going back to the mesolithic period, at the end of the last Ice Age. Some of it also feels allegorical, but I love that there is hope at the end and the desire to work with us. If we can cross the bridge. I had often wondered, and am still unsure, if they are the Tuatha de Danaan, because they feel connected, and yet they also feel vibrationally different. The Tuatha feel more human; more The Ancestors, who now inhabit a liminal realm; the sidhe feel much more fairy-like, but, as they suggest, they were human once too. Perhaps they inhabit different realms and have been on earth far longer than our Tuatha de Danaan ancestors. But, whoever they are, I’m glad they share their knowledge with us, for the Goddess is the one thing they have in common.
Here is the Sidhe’s story.
“It was on a moonlit night that we first left our shores. None of us knew when we would return, as we faced towards the West,and headed into an unknown future. We knew we could not look homewards, for in so doing, our hearts would surely break. Our destiny lay ahead, on wayward shores. Would the people on those shores welcome us with open arms, or would they repel us with swords and shields.
“We knew not where our destiny would lead us, but we knew, without a doubt, that it would lead us somewhere. Our lives, whilst on that journey, wore long and hard, and there were times when we believed we would never reach the distant land. But we did, eventually.
“When we landed, we were greeted by our fore-runners: those brave souls, who by dint of their upbringing, were the privileged few to come to this new land years before us. We knew not what to expect from them, for they were older souls than we, and knew how to live in this wild place. They greeted us, as though we were family, and welcomed us into their homes. We wined and dined and ate our fill, but soon it became clear, that this was not our home. We were needed elsewhere, somewhere wilder and altogether forgotten.
“Once again, we packed our belongings and set off into the wilderness, hoping to find a place wherein we could settle. Ours was a heavy burden and at times we despaired of ever finding a place to settle in. After years of moving and searching we came to this land, the land of your ancestors. It was a wild place, full of forests and untamed beasts. No-one had yet settled here and so, in the beginning, we could only inhabit the outer edges, close to the sea.
“The winters were harsh, and the summers short, and food was often in short supply. We learned how to fish and how to hunt in these new surroundings and learned to live, and survive, in this New Land. But we still did not feel this was our home, so one day, we picked up our belongings and began to move again.
“The going was slow, due to the dense vegetation, and many of us lost our lives, scrambling through the thickets only to fall to our deaths over a sudden sheer cliff and into deep valleys below. We were lost, indeed. Until one day ,we found an area close to the sea, but on a rise in the land, and we decided to rest here awhile. We cleared away the trees and scrub and made an empty place in the forest. In order to keep out wild animals, we built a palisade with a ditch outside it, and inside we built simple roundhouses of mud and wood. This became our home … for a while. We fished, we hunted, and life became less of a struggle.
“One day a new person arrived. He had been travelling alone, lost and scared and had found our settlement. We let him in and listened to his story. His settlement had been some distance away and it had been a good place to live. His father had been master of their people and his Mother, the living representative of the Great Mother in form. But there were those amongst the people who took no part in the running of the settlement. They wanted to contribute nothing, but spent their days in lazy self-indulgence. Their settlement began to split in two, some people supporting the camp and the others taking from it.
“It was decided that those who took from it could no longer dwell within it, but they disagreed, and rebelled. The young man’s parents were both killed and the settlement burned to the ground. The survivors went out into the forests to find other settlements, as no-one knew where the others were, or if indeed, there were any.
“When we heard this man’s tale, it was unanimously agreed that a network of lines should be established, to connect the settlements to each other. Marker stones would be erected showing the position, and directions, to each one. People were elected to find the other settlements and to put this idea to them. We reasoned we would be safer if we knew the whereabouts of each other. We could form alliances to keep ourselves safe. Now, not only were we protecting ourselves from animals, but from people too.
“And so they set off and, in time, many settlements were discovered, and nearly all of them agreed that it was a good idea. It would be harder for the rebels to rebel if they knew other settlements would come to the aid of their leaders, most of whom were fair, and devoted to maintaining the integrity of the settlement.
“Then it was decided that there should be central communities whose job it would be to oversee, and feed, their own group of settlements. Huge banks and ditches were created to mark out their territory, and smaller settlements were under the protection of the larger ones. To maintain balance, the larger settlements were built on hilltops, and could be seen by the others.
“All worked, for a time. The people lived abundant lives, peace reigned, with only minor grievences. But came a day when the invaders rolled up on our shores and everything changed. Our lives, our way of life, changed dramatically. We were no longer lords of our lands and one with the God and Goddess. Now we were outcasts, sent to the margins to exist, but still under the central control of those who wished to take everything we had created.
“Our people became the unwanted ones, as others joined forces with these new invaders, who promised them power and wealth. Some of us remained separate, nomadic travellers. We had returned to the old ways, but it was harder now. The invaders had taken our land, which they now controlled and so, they also controlled the food. We returned to hunting and fishing to feed ourselves. What we had created, to serve and support the communities, was now being used to control them, and there was nothing we could do to stop it.
“In despair we turned to the Goddess, and she told us to bide our time, that soon her ways would return and the ‘takers’ of this land would be gone and all that had once been, would be again. Reassured, we waited, ever staying in the background, watching as waves of new invaders arrived, taking from the takers. But alongside them, came people from another land and they could see our handiwork. We rejoiced, for we thought this was the time spoken of by the Goddess. But we were disappointed. They too were overtaken by the takers and all they built, they lost.
“Over and over again, we watched those who would take, overtake those who tried to bring back the balance. To us it seemed like ‘soon’ was just too far away, so we shrank back into the forests and woodlands, slowly giving up hope that the Goddess would return. The land was a wasteland and we could no longer look upon it.
“One day, we noticed something changing. The world was becoming brighter. At first we did not understand what this meant, but the God and Goddess appeared to us and told us that it was Time; Time for their return to the land of men and to the honouring of each other and of the Earth.
“We were overjoyed, and celebrated with huge feasts and dancing in the moonlight, for we still did not wish to be seen. We began to notice people appearing in our world. People who could see into our hidden places; people who desired to bring back the ways of the Old Ones.
“We collectively decided to share our knowledge and wisdom with these people, for we could see who was pure of heart and who was not. Those whose intentions were true, we passed the knowledge to, making a pact with them that they would share this knowledge with others, who like them, also wanted peace and balance once more.
“And now you know our story. We are the Sidhe of Old, the ancient energies who live in this world and who have been waiting for this time. We hope our collaboration with you, and the ones like you who are trying to ‘right’ the imbalances in the world, yields positive results. Only in working together can this work be established, and only in this collaboration can our lives have meaning again.
“We are glad that the humanity of the new World are working in partnership with the humanity of the Old World. Together we create a bridge of Light, a bridge that we hope many will cross, bringing our worlds together once more; bridging the wide gap of Time and Space to become One again.
“All this we hope for, and in our hope, lies our deepest desire for communion. All for One and One for all. That is our hope. We greet you on this bridge, so together we can walk into the future, hand in hand, as One.
This pink Sphere of the Goddess Venus brings the quality and lessons of love to all corners of your world. Everything that is not love comes up for review, including love, or lack of love, for yourself and what you do. Joy is the creative energy of life, and at this level, we learn to see the Other as they are, not as who we think they are. Love is the energy of the universe. It is what keeps us alive. But how do we know what love truly is? At this level, we find out. Here we also learn about relationships and how to work and be in relationship with another soul. This may challenge you, but it will always lead to healing. Bringing love into the world is key to this level, learning to love the other through learning to love ourselves and facing our fears and preconceived ideas about love.
This level also introduces us to portals. You become a portal through which other beings are given access to the physical world. In this level, you begin to work with energy as spheres. These hold and contain certain frequencies of energy, which you can then release into the world or use to help someone else.
Through the Danu symbol, you become a portal through which four energies connect to you specifically. These could be to qualities, beings from other cultures, animals, abundance, dragons, ancient civilisations or Guides from other planetary systems. In effect, it upgrades your ability to bring in these energies through your energetic portal. This also teaches you to create portals in the landscape and around the world. What you bring through is what you have learned in all the incarnations you have ever lived and what the world needs now.
Initiation into the Second Level. This is the foundation of the second level.
This is the initiation into the Venus Matrix and the Danu Symbol.
The Venus Matrix is all things love and creativity. Developing artistic skills, or whatever your particular creative gifts are, even if you don’t know what they are.
The Danu symbol connects you to four primary realms which you bring through the portal in multiple ways, creating a bridge between the human world and other worlds. At this level you start to form triangles of force in the landscape, linking places together in groups of three, to bring through certain needed qualities and forces which these places need.
£75.00
The open attunement can bring in elements from any level. This is because your soul, or higher consciousness, knows what it needs and what you need to continue your development. These may include the Gifts of the Sidhe, The Gifts of the Tuatha de Danann, Creative energies from Egypt’s Red Sea and the Womb of creation; Energies from the Ancient Egyptian temples and The Lords of Light, Dragon and serpent energies, Tree energies, and healing energies to help with your own, and the collective’s, healing. Everyone is different and is on a different path of development. No two people are the same; therefore, each person requires different energies. The open attunement provides these.
Second Level Open Attunement.
Trusting your Soul, and your guides, and opening to whatever comes in, shows a level of trust necessary when working with the Soul of Mother Earth. In allowing yourself to open, in whatever way is necessary for your development, means you receive energies you may not have expected and which may come from the other levels. This happens because your soul, and your guides, know what you need to continue your work. This might be different to what your personality thinks you need.
These attunements add to the energies you hold and help your continued development. You can have as many of these as you want because the energies will always be different and will be exactly what you need.
The Gaia Method Earthways 