http://www.telegraph.co.uk/science/2017/06/28/avebury-stone-circle-weird-square-archaeologists-find/
This article shows how the Avebury stone circle began, archaeologically. But what does this show us about how these huge sacred sites evolved energetically?
In the beginning…
From all of the work I, and others, have done we have found that sacred sites have very humble beginnings. What begins with one person, and his family, living on a small energy point, often put there by his own skills of earth energy-work, and through the slow growth of that site, a site of major significance would eventually be created. Like concentric circles of energy expanding out into the surrounding landscape, these sites are built up over time.
The energy-point itself can be an ancient, dormant point, or it could be newly established. But whatever the reason for its creation the person anchoring it does so in stages. He/She lives on the site, infusing it with their own energy. Visiting holy people would also add to it and slowly it would grow,. The energy templates, like stacks of CDs, are layered over time, changing the atmosphere around them. Planting ideas and energies designed to re-balance and nurture the landscape, influencing future generations of people.
The site would have had a home, with energetic boundaries, to begin with, then perhaps a bank and ditch. The building, lived in by the family of the earth-worker (or shaman if you prefer) would become the central point, although not necessarily geographically in the centre of the circle created by the banks that surrounded it. The family would have acted as the guardians of the sacred place, holding the energy, allowing it to grow, adding energies to it as the site needed.
Everything of a sacred nature, i.e. buildings, stone circles etc, has an energetic blueprint. Physicalising the energies of the site falls to successive generations; they follow the intuitive promptings of the previously anchored energies. Sites are anchored firstly by tree trunks, and later by stones, which act as acupuncture needles, allowing particular energies to flow in the desired directions, energies that are needed depending on the original blueprint.
Some are destined to remain small, yet others become massive, affecting whole areas of the landscape. But all are connected, all are part of an overall Motherboard, ensuring the fertility of the land and the balance of nature.
At specific points of high energy in the cycle of the year, the sites would be collectively energised, ensuring the people’s survival, and balance, with that of their land. This is the origin of the Festivals. Each site has its own particular function in the landscape. Some are Spring, when the sun energises the seeds and awakens the Winter Goddess, the crone, making her young again, the land becoming ‘virgin’ once more, ready to begin the process of planting.
Other sites, such as Uffington, celebrated the Mayday energies, a time for human fertility, ensuring a good harvest; ‘Mother’ sites, such as Fosbury Hillfort, the Itchen Banjo and Danebury etc., hold the energies of the Fecund Mother, holding her human children in her sacred womb.
Other sites, Long Barrows, celebrate the ancestors and the journey into the void, the Crone. Returning to the void of creation. They are the burial place of the sacred families, whose bones anchor the energies of death and rebirth.
Every site has its function and celebrations, not empty ritual, but energy-work, renewing the land for the future stability of the tribes.
Other energy points were created and ‘held’ by a person who, in life, had been a wielder of power. That power was in her bones, in her physical body, and it was this energy that was placed in sacred burial places, Barrow burials. As long as the barrow and its inhabitant was honoured the energy flowed. Barrows too were part of the overall blueprint, each barrow fulfilling its own function and guarded by the energy of the person buried inside it.
You can also see this belief in early Christianity as ‘relics’. The bones, or possessions of the ‘Saint’ still holding its original owner’s saintly energy. Every church or chapel had its own relics, even if, in later years, they were not actually the real saint’s bones, but people still believed in them.
Some sites were destined to be lived in, to be holders of sacred life, but others, such as stone circles, were designed to be places of power, ritual and creation. The circles were gateways, allowing energy to flow in or flow out, places considered to be the Divine Womb, where the sun fertilised the seeds of the Mother.
They had other uses too of course, but in terms of energywork in the landscape, I am focusing on this purpose. Circles like Avebury were used as a clearer of local energies. They acted like giant demanifesters, clearing old energies and allowing them to be renewed. Energies, thoughtforms no longer valid, negative human emotions, are all pulled into the void to be transformed and birthed anew. A good place for ‘letting go’ if you tune into that aspect of the circle. It makes me think of giant snakes eating and destroying, with its body, the negative or outmoded creations of others.
But, according to the article above, Avebury started life in much the same way as other sacred circles: as a home, a simple wooden structure. Perhaps the person who inhabited the house created the initial energies which ultimately, over hundreds of years, became the Avebury Complex. This is how many of them began. The person creates the necessary thoughtforms, anchors the layers of energy over years, and the people who come after him or her, continue the creation of the anchored blueprint. Even today, this is how sites evolve. You only have to look at how Findhorn began, to get an idea of what I mean. Who knows what Findhorn will become in a few hundred years.
So you see how these massive complexes can have had very humble beginnings. A small family of people who have brought their sacred knowldege with them and who anchor the foundations of very important sites for generations of people into the future. Thousands of years later, and we are learning how to access this energy and renew the sacred work that our ancestors did. Bringing back the balance, anchoring the new seed ideas and changing our ways of life so that future generations can survive and thrive.
This is a very brief explanation, as there are probably books worth of information needed to explain all of this, but I hope it gives you a flavour of how sites begin, so that when you tune into one, you carry this knowledge with you.
Hi Ann
Thought you might like to take a look at my Blog that I have writing due to the closure of the Museum in Dublin. I have worked there for 20 years. Hope you and all the family are keeping well . Look after yourselves.
Sandra x🌻
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Hi Sandra,
I was only thinking of you this week!! Send me your link! I’d love to read it!! How lucky are you to be working in the museum!
xxx
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Hi Ann Thanks for reply. I met Sarah a few years ago in the Museum and she had told me of your travels to Egypt. I just love your fotos ,really beautiful. I travel a lot to Italy 4-5 times a year for Exhibtions and speak some Italian. I worked in Venice for a while at The Biennale Saw Steely Dan play in the Jazz festival in Perugia and twice in Dublin!! I saw my first Hoopoe in Lucca last year
I bring groups away on Wildlife weekends , still love the birds. I think when we opened that book on The Pre Raphaelites , I had to know more.. So later went to Trinity as a mature Student and got me a Diploma in Art History . It has been huge part of my life and always will. I am in a long term relationship now 30 years , no kids but cats .
I work in a Modern Art museum in Dublin and due to Covid we are closed , but should be back in September. It has been a real scarey time but Ireland seems to be a bit in control. Where are you at the moment?
The first Blog is on the Wildflower meadow . I will send the second on Butterfly shortly.
Great to hear about you and your life , well done!!
SX
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Hi Sandra,
You gave me the love of birds and a greater awareness of nature. It has obviously become a huge part of my life. I sent you an email on your Gmail account.
Send me your blog address.
I still have your poetry! 🙂
Lots of love.
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Hi Ann
Hope all well with you there. Not sure if You know of Ellen Hutchins , she was the first female botanist in Ireland. I found out about her a few years ago, and I try get to her festival everyear in WestCork. Her great grand niece runs it in her honour . Sure you might get across the water sometime!
Sxx
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Hi Sandra. Thank you for telling me about her work. It is wonderful. I especially love the fact that she painted sea plants. I will definitely plan to come to the festival. It sounds amazing! I have just come back from a weekend break in the isle of Wight – 20 meters from the beach. Lots of wonderful geology and birdlife. I spent quite a bit of time exploring the many varieties of seaweed, wondering which ones were edible! I definitely need to live beside the sea…xx
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Hi Ann
You might find thi of interest. West Cork is a really amazing place to visit . sxx
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